Day 0979 - Dear Science

TV on the Radio “Dear Science” (2008) – got it

I came to TV on the Radio via the project Nevermen featuring TVotR’s Tunde Adebimpe, rapper/producer Doseone and a favourite of mine Mike Patton.   When I heard about the project I decided to check out TVotR who I had been vaguely aware of (if only by name) for a while.

After a bit of youtubing I picked up their excellent full-length debut (if you don’t count the self-released “OK Calculator”, and it sounds like the band themselves don't count it much) “Desperate Youths, Bloodthirsty Babes”.  I’ve since collected all of their albums including this one.

While I found their second album “Return to Cookie Mountain” to be a bit of a muddy, messy affair audio-wise, “Dear Science” is crisp and catchy.   With the band being full of producers and multi-instrumentalists it would be easy enough for it to be a “too many cooks” situation, but they seem to find their way around it.

The album owes a debt to the 80s, without sounding derivative or ‘retro’.  It's more like the 80s is the starting point and then there are enough looped fuzzy beats, interesting production and other 00s touches to make this fully contemporary.

Opener “Halfway Home” is all glorious synths and soaring vocals, followed by “Crying” which has more than a hint of Bowie to it.   “Dancing Choose” is a favourite of mine with its pulsing beat, hand-claps and speedy vocals from Tunde.   "Golden Age" and “Red Dress” bring the funk.   “Lover’s Day” is Prince making sweet sweet love to Peter Gabriel while he does his thing.

The album nicely tows the line between melodic atmospheric pieces, and funky danceable grooves.

Day 0546 - Born in the USA

Bruce Springsteen "Born in the USA" (1984) - got it

Following the moody and downbeat "Nebraska", the record company were putting pressure on Bruce to produce something a bit more commercial.   An expectation that he lashed out at lyrically in "Dancing in the Dark" but at the same time, one that he ended up meeting in crafting one of the biggest hits of his career.

Even as Michael Jackson's "Thriller" was dropping off the number 1 spot in the charts, Bruce took over that position for the next stretch of time.  As both artists were signed to CBS subsidiaries, that label must have been popping champagne... and probably some cocaine, being the 80s and all.  Like that other album, this one is almost entirely populated with hit singles, making it seem as much a greatest hits as stand-alone album.

"Dancing in the Dark" wasn't the only song with hidden undertones.  The title track seems like a cry of patriotism, but was actually a criticism of the Vietnam war and how America had gone on to treat veterans of that conflict.

This album is a monster.  I was not a rabid Springsteen fan by any stretch of the imagination, but I enjoy every song on this album, including the few songs that haven't been thrashed on the radio!  Ended up picking up copies of this album and Nebraska as a result of doing this list.

Day 0437 - Risqué

Chic "Risqué" (1979)

So, right off the bat the first song is essentially the basis for "Rappers delight", so that's pretty cool. The band were looking to make a fun, good-times album to counteract financial hard times that were going on at the time (kind of like the Black Eyed Peas apparently tried to do with "I've got a feeling" years later).

I still can't totally get on board with the idea that this is "disco", I guess because I have a certain set idea of what that genre is.  To me this sounds more like soft-funk with some slower jams (though, bleak slow-jams) thrown in for good measure. I prefer this album to the previous Chic album (C'est Chic) on this list.

Day 0354 - Arrival

ABBA "Arrival" (1976) - got it

My mum had this album on vinyl when I was growing up and, being an ABBA fan from a young age, I listened to it fairly religiously.  Benny and Bjorn were just such skilled songsmiths.  They could come up with tricky little ideas, but they mostly just favoured strong and simple songs.  It’s not on this album, but I saw an interview with them where they singled out “ the winner takes it all” as one of their stronger compositions exactly because it is a song built more or less around just one repeating melodic motif.

Obviously the ’hits’ from this album are all good.  “Knowing me and Knowing you”, “Money Money Money” “Dancing Queen” and gently anthemic album closer “Fernando” are all memorable earworms that are possibly even popping back into your head just from reading the song titles.  Outside of the hits though, the other tracks are just as enjoyable.  Whether it’s the playful “When I kissed the teacher”, the slightly cheesy “Dum dum diddle” or my personal favourite “Tiger” which switches from poppy glam rock to the subdued, almost childlike melodic bridge sections.

The tracks with Benny and/or Bjorn singing are enjoyable too, but the group really shines when Agnetha and Frida are on the mics, creating the classic ABBA sound.

Day 0280 - Selling England by the Pound

Genesis "Selling England by the Pound" (1973)

Was surprised to find that this was Genesis' 5th album.  I didn't realise that they'd recorded so many with Peter Gabriel.

There seems to be a thing about prog albums using paintings as their album covers rather than photos or some other such thing.  Definitely bands like Gentle Giant, Genesis, some of Crimson's got on in on it.   Similar to the 50's jazz scene's flirtations with the modern artists.   It works for this album matching the parochial English vibe of the album.

Much as it's popular to jump on the 'Phil Collins bashing bandwagon', his drumming, while nowhere near as exploratory or virtuosic as some of his prog peers, is still pretty damned fine. Synths that sound like they're soundtracking a fox hunt, guitars that are at time frantic and unsettling and at others, majestic and grand, vocals that verge on the theatrical and playful.  This is definitely a long way from the poppy, sometimes slightly too-serious-for-its-own-good, later-era Genesis.

I would not be surprised if John Frusciate was into Genesis either.  There seem to be a lot of sounds that would not be out of place on some of his later work with the Chili Peppers or some of his mid-era solo work.