Day 0585 - So

Peter Gabriel "So" (1986)

Huge success for Peter, helped along by high rotation of the unusual and entertaining video for the funky single "Sledgehammer", not to mention the fact that PG's handsome mug was displayed unadorned on the album cover for once.

While there are some familiar 80s sounds here with synths and stabs of brass and some synthy slap bass, Gabriel manages to add his own touches to the songs.  Whether it's his solid songcraft, including elements of world music (including a guest spot by Youssou N'Dour), elements of experimentation (including a poppy duet with wild-card Kate Bush), or just his own strong and versatile voice.

Thoroughly enjoyed this, and could see why the blurb it the book holds it up as a good starting point for getting into his work.

Day 0280 - Selling England by the Pound

Genesis "Selling England by the Pound" (1973)

Was surprised to find that this was Genesis' 5th album.  I didn't realise that they'd recorded so many with Peter Gabriel.

There seems to be a thing about prog albums using paintings as their album covers rather than photos or some other such thing.  Definitely bands like Gentle Giant, Genesis, some of Crimson's got on in on it.   Similar to the 50's jazz scene's flirtations with the modern artists.   It works for this album matching the parochial English vibe of the album.

Much as it's popular to jump on the 'Phil Collins bashing bandwagon', his drumming, while nowhere near as exploratory or virtuosic as some of his prog peers, is still pretty damned fine. Synths that sound like they're soundtracking a fox hunt, guitars that are at time frantic and unsettling and at others, majestic and grand, vocals that verge on the theatrical and playful.  This is definitely a long way from the poppy, sometimes slightly too-serious-for-its-own-good, later-era Genesis.

I would not be surprised if John Frusciate was into Genesis either.  There seem to be a lot of sounds that would not be out of place on some of his later work with the Chili Peppers or some of his mid-era solo work.