Day 0986 - Teen Dream

Beach House "Teen Dream" (2010)

Beach House are a duo who had initially tried to work in a lo-fi way, leaning on their limitations to push them further and then often drenching the results in reverb.   

After two albums, the band signed to Sub Pop records and recorded this album.  They changed things up, going for a more sophisticated approach.   I'm just listening to one of the previous albums at the moment to get an idea of them and it seems like a similar vibe in some ways, so I guess the change in approach is around production choices (they said they used hardly any reverb this time around) and arrangement ideas.

The album opens with "Zebra" which is clean guitar and some nice layered vocals backing it.   "Walk in the Park" has a pulsing organ groove that seems like it should be a breezy Beach Boys-style piece but instead feels somehow ominous, like there's an underlying unhappiness.  Looking at the lyrics, I suspect that was intentional.  

"Better Times" starts with a nice light keyboard and starts getting subtle guitar parts coming in too.   The chorus somehow has a bit more oomph to it while still being restrained.  It eventually builds to a climax of arpeggios and vocal.  "Real Love" is a spacious piano ballad with atmospheric synth sounds in the background.

Another one where I liked the overall sound and would happily listen to it again (or check out some of their other albums).  Like it's a nice sound, but the songs didn't necessarily stick in my memory after I'd finished listening to the song/album for some reason.   

Day 0761 - Dummy

Portishead "Dummy" (1994) - got it

The words that spring to mind with this one are moody, cinematic and a mix of old and new.

"Cinematic", not necessarily meaning grandiose, it's just that the music creates atmospheres and visuals in my mind.  This sense of the cinematic is emphasised by Beth Gibbons changing her singing voice to suit each track, almost like a vocal 'actor'.

"Old and new" because they're mixing old jazz, soul and torch-song sounds with modern production.   Organs, strings and moody trumpet with hip hop beats and scratches.  

Opening track "Mysteron" is appropriately titled as it sounds like an old sci-fi b-movie score with a beat.  "Glory Box" speaks of sultry noir, and was used as the backing track for MTV's Superrock show, hosted by the glamorous Julia Valet.

Though Portishead didn't invent triphop, this album's sound came to be what many would associate the with the genre.

Sadly, the band's output (though superlative) has been fairly small.  Two albums, then a fantastic live album with the NY orchestra.  After that there was a 10 year wait before their third and (to date) final album.  

Day 0437 - Risqué

Chic "Risqué" (1979)

So, right off the bat the first song is essentially the basis for "Rappers delight", so that's pretty cool. The band were looking to make a fun, good-times album to counteract financial hard times that were going on at the time (kind of like the Black Eyed Peas apparently tried to do with "I've got a feeling" years later).

I still can't totally get on board with the idea that this is "disco", I guess because I have a certain set idea of what that genre is.  To me this sounds more like soft-funk with some slower jams (though, bleak slow-jams) thrown in for good measure. I prefer this album to the previous Chic album (C'est Chic) on this list.