Showing posts with label tv. Show all posts
Showing posts with label tv. Show all posts

Friday, May 7, 2021

Day 0979 - Dear Science

TV on the Radio “Dear Science” (2008) – got it


I came to TV on the Radio via the project Nevermen featuring TVotR’s Tunde Adebimpe, rapper/producer Doseone and a favourite of mine Mike Patton.   When I heard about the project I decided to check out TVotR who I had been vaguely aware of (if only by name) for a while.

After a bit of youtubing I picked up their excellent full-length debut (if you don’t count the self-released “OK Calculator”, and it sounds like the band themselves don't count it much) “Desperate Youths, Bloodthirsty Babes”.  I’ve since collected all of their albums including this one.

While I found their second album “Return to Cookie Mountain” to be a bit of a muddy, messy affair audio-wise, “Dear Science” is crisp and catchy.   With the band being full of producers and multi-instrumentalists it would be easy enough for it to be a “too many cooks” situation, but they seem to find their way around it.

The album owes a debt to the 80s, without sounding derivative or ‘retro’.  It's more like the 80s is the starting point and then there are enough looped fuzzy beats, interesting production and other 00s touches to make this fully contemporary.

Opener “Halfway Home” is all glorious synths and soaring vocals, followed by “Crying” which has more than a hint of Bowie to it.   “Dancing Choose” is a favourite of mine with its pulsing beat, hand-claps and speedy vocals from Tunde.   "Golden Age" and “Red Dress” bring the funk.   “Lover’s Day” is Prince making sweet sweet love to Peter Gabriel while he does his thing.

The album nicely tows the line between melodic atmospheric pieces, and funky danceable grooves.


Wednesday, March 4, 2020

Day 0549 - Hunting High and Low

A-Ha "Hunting High and Low" (1985)


You could be forgiven for thinking that this Norwegian pop group found fame solely based on one hit, a pretty singer, and high rotation of a music video using the aforementioned hit and singer.

This album though is so much more than just "Take on me" and Morten Harket's beautiful, beautiful face.  Gorgeous new-romantic synth pop sounds abound.  There are some sections that almost border on orchestral/operatic, while in others it's simple, upbeat power pop.

A strong album, with only one or two slightly more 'filler-esque' tracks.