Showing posts with label wars. Show all posts
Showing posts with label wars. Show all posts

Sunday, May 9, 2021

Day 0981 - Oracular Spectacular

MGMT "Oracular Spectacular" (2008)


On a couple of occasions over the years, I'd hear my friend playing these guys when I was at his house.  Each time I'd be like "oh this is cool, what is it?" Then I'd hear them the next time and be like "oh this is cool, what is it".   This shows that (a) they must be good and (b) I'm a slow learner sometimes.

The duo met at university and formed the band as a natural evolution of just hanging out talking about music.   Originally they performed and released some songs under the name Management, until they were made aware that another act was using that name, so shortened theirs to MGMT.

The band recorded their debut (as MGMT) with Flaming Lips producer Dave Fridmann, which probably goes some way towards explaining the dreamy psychedelic pop I find myself listening to.

"Weekend Wars" is a glorious slice of 3rd-wave psychedelic pop.   "The Youth" follows in this vein and is kind of familiar to me on this listen so was maybe one of the ones I'd heard before.  "Electric Feel" I've heard plenty of times either in commercials or just through the usual channels.   "Electric Feel" has a weird 'if disco had still been going strong in the 80s' kind of sound to it.   You could dance to it, but it's a bit lighter and synthier.     Ditto (both on the sound, and me recognising it) with the track "Kids".

"4th Dimensional Transition" takes you into more electronic, yet still psychedelic territory.   Album closer "Future Reflections" bares a slight resemblance to the Dandy Warhols' "Welcome to the Monkey House" album, though possibly that's just because they're both channelling an 80s sound through a 00s indie-pop sensibility.

Saturday, July 4, 2020

Day 0671 - Rust in Peace

Megadeth "Rust in Peace" (1990)


Megadeth gonna Megadeth.

This is the fourth Megadeth album and features their third lineup, though apparently this one would stick for the next few albums.  As always with Megadeth, the album largely centres around Dave Mustaine, his riffs, his lead guitar, and his voice.  David Ellefson should be given his due though, being one of the most constant members of the band, and providing bass that ranges from nimble and virtuosic; and restrained and interesting.

This album gets held up as one of the highlights of the thrash movement, and I can buy that.  While I've always been more of a Metallica or Slayer fan, this album features some speedy riffs and (as the superlative goes) 'fretboard pyrotechnics' from Dave.  It has enough melody and intensity to it that it almost feels like it sits between thrash, and something more in the 'party-rock' vein like Guns n Roses.

I always felt like Mustaine took himself far too seriously though.  I never felt his music was quite as good as his old band, and he seemed to be stuck repeating what they were doing in their first couple of albums.  Mind you, some metal fans (though not all) appreciate a spot of creative inertia, so....