Showing posts with label iain. Show all posts
Showing posts with label iain. Show all posts

Saturday, February 13, 2021

Day 0896 - HMS Fable

Shack "HMS Fable" (1999)


I'd initially put this one on while I was cooking dinner.  I  was listening to the first track thinking "oh yeah I think I know what this one is about - sounds like a bit of 90s brit rock, like Oasis but with a touch of Suede.   But then that first track "Natalie's Party" breaks from its rowdy-yet-melodic rock to drop in a nice little string section.   I decided I needed to give the album a bit more of my attention rather than having it as background music.    

I've listened to it a couple of times through now and there are certainly some swirly rock tracks that have more than a hint of the 'Madchester' sound but this album is all over the place in an interesting way.

There's bouncy melodic "Lend's Some Dough" with its beautiful layered vocals.  "Captains Table" has a dreamy, folky vocal-heavy sound not unlike the last Tripping Daisy albums before they transitioned into Polyphonic Spree.   "The Streets of Kenny" somehow manages to build a mellow, vocal laden track into what feels like a crescendo before suddenly cutting out and dropping you into "Re-instated" which, with its strings and mellow trumpet parts almost seems to hint at Burt Bacharach.  After a couple of more guitar-heavy tracks, the album closes out with the delicate acoustic "Daniella".

Monday, March 9, 2020

Day 0554 - Atomiser

Big Black "Atomiser" (1985)


I had heard of Big Black (especially their provocatively titled second full-length album "Songs about Fucking") but had never actually heard a note of the music.  I was also very uninformed, in that I had heard of Steve Albini but knew him solely as a producer/engineer.  I didn't realise that he was musician in bands like Big Black and Shellac (he'd also... carrying on his role as provocateur, had a band called Rapeman).

The music here is essentially proto-industrial.  It's just "three men and a drum machine".  The tinny drum machine, aggressive guitars and barked vocals could be seen as an early guidebook for acts like Nine Inch Nails, Marilyn Manson and even early Shihad.