Day 0843 - Shleep

Robert Wyatt "Shleep" (1997)

If you were giving points just for longevity, Wyatt would be doing well.  His last entry in this list "Rock Bottom" (day 325) was released in 1974.  If you were just going based on fun song titles he'd be doing well with doozies like "Free Will and Testament" and "the Whole Point of No Return".   If you were going based on the respect of other musicians, he'd be doing well as Brian Eno helps produce and guitars are provided by Paul Weller and Roxy Music's Phil Manzanera.

The fact is that, beside all of the above, the music is damned good too.  From the naive 60s-esque pop of "Heaps of Sheep" and "Maryan" to the jazzy experimentation of "the Duchess", the extended fusiony jam of "Alien" to the jazzy beat poetry homage to Bob Dylan's "Subterranean Homesick Blues" this is just a great collection of songs.   The music brings to mind everything from the Kinks, early Pink Floyd, and Frank Zappa to later interesting and inventive bands like Ween and XTC.

Day 0659 - Club Classics Vol. One

Soul II Soul "Club Classics Vol. One" (1989)

The group started off playing house parties and street parties.   It's apt then that the album is set out like a DJ's club mix with some long drawn-out beat loops and some catchy hooks.   There are touches of jazz, funk, disco and the titular soul, all brewed into a dancey stew.  Probably not my cup of tea overall, but it's listenable.

They released this album before the line-up started to change, with member Jazzie B eventually being the only original member left.

0518 - Murmur

R.E.M. "Murmur" (1983)

Quite a different beast to the R.E.M. who would eventually break on the scene with their earnest emotional ballads and occasional rockers.  This is much more folky shoegazer stuff, with twangy Rickenbacker guitar behind Stipe's mumbled poetry and much less of Mike Mill's backing vocals.

There are moments of the future band shining through, but I can certainly understand why people who got into the band at this stage of their career might have been disappointed with their later direction (though I'm a fan of their mid-era albums myself).

Day 0469 - Iron Maiden

Iron Maiden "Iron Maiden" (1980)

I remember seeing the 'classic albums' show for Iron Maiden's "Number of the Beast" album, and they'd talked about the issues they'd had with their former singer Paul Di'Anno and what a step up Bruce Dickinson was.  From that, I'd assumed that the first guy must be absolute rubbish... but no.

Sure, on one or two songs he sounds like a bit more of a punk yowler than a metal howler, but he still manages some decent tremolo in places and some minor wails. I actually really like this album; it's almost as if having a slightly more limited singer over top of the virtuosic and showy music kind of reins it in and stops it getting too grandiose and up it's own arse!

The album does feature an instrumental track and several songs that take their sweet time getting to the vocals, which is maybe just how Maiden roll, or it could be a sign that they were already unhappy with Paul? Either way, as I say, this album works just fine for me. The bass work is incredible, which I guess is not surprising as the bassist started the damned band!