Showing posts with label fred. Show all posts
Showing posts with label fred. Show all posts

Sunday, January 24, 2021

Day 0876 - Follow the Leader

Korn "Follow the Leader" (1998) - got it

 

When I was in high school, Korn were a big deal.  They, along with a number of angry, shouty, down-tuned rock bands that made up the nu-metal scene seemed to be everywhere in the late 90s and early 00s.   

Even though it was supposed to be a movement of outsiders pushing against conformity by mashing up genres and kicking against 'the popular kids', the genre became trite, commercialised and obsessed with its own image.  Korn in particular made a thing of wearing ADIDAS and, when offered a shit-ton of money by Puma to wear their stuff instead, jumped ship.


After two albums of their growly, low-end focussed metal, Korn injected this album with a bit of variety in the shape of more of a lean into  the hip-hop side of their sound.  Guest spots by Ice Cube, the Pharcyde's Tre Hardson and (meh) Limp Bizkit's Fred Durst are featured.   This last collaboration is on the now definitely dated battle track where Jonathan Davis and Durst throw homophobic slurs at each other.

The album opens with a minute's silence made up of 12x 5 second tracks.   When I was at school there was a story going around that it was Korn demanding a minute's silence for themselves as the progenitors of the nu-metal genre, but apparently it's more humble and less cringeworthy than that.  The minute of silence was dedicated to a fan who died of cancer.  He had been able to meet the band as a dying wish.

The album is a tad overlong as are many of the songs, though "Children of the Korn" (with Ice Cube); single "Got the Life" with its disco beat and slap bass; and closer "My Gift to You" with it's slow, epic, bagpipe backed groove are still good, even now.

I enjoyed Korn at the time, haven't really revisited them much in the last few years.  It's not that I don't still like aggressive, loud rock, I just think that their particular brand of it sits best with you when you're adolescent, angry, and not thinking too hard.   

Thursday, March 19, 2020

Day 0564 - Cupid & Psyche 85

Scritti Politti "Cupid & Psyche 85" (1985)


I was quite looking forward to this based on the description: a loose musical collective who had been noodling around in post-punk experimentalism, but (having heard Quincy Jones' production on Michael Jackson's albums) decided to delve into the world of pop.  I ended up feeling slightly underwhelmed by it.

The band had enlisted some seasoned session players and sprinkled everything with some studio gloss, but the songs just feel like they're not memorable enough, and the gloss is a little thick so the songs seem to lose their 'oomph' a bit.  Possibly it's just that this sound is, 'aesthetically', not in line with my tastes.

Tuesday, November 5, 2019

Day 0431 - The B-52s

The B-52s "The B-52s" (1979) - got it


Like a weird mix of 50s rock n roll, 60s surf rock with the directness of punk, the twang of 1960s spy or batman music, mixed together with a whole lot of quirkiness and theatricality.

Prior to hearing this I was mostly familiar with the song 'love shack' that I'd heard at so many school discos and then bars/clubs that the name 'B-52s' was shrouded in commercialism and 'classic rock' radio. In contrast this album is fresh and interesting post-punk with all the ingredients listed above.

Full disclosure, I first checked out this album in the days when I enjoyed Family Guy and saw Peter Griffin perform 'rock lobster' and it seemed too brilliantly ridiculous to be a real song.... still kind of does.

Tuesday, September 24, 2019

Day 0389 - Marque Moon

Television "Marque Moon" (1977)


Another dose of punk (but not totally punk) rock. Television were one of the founders of the CBGBs punk scene but had a little less success in their USA homeland than some of their peers (they fared much better in the UK).  As with many albums on this list, it has since been commercially/critically reassessed.

It could be that they were overlooked at the time due to their interesting sound that avoided the straight ahead mix of speed and caveman-like musicianship of some of their punk peers; opting instead for a jazz inflected take on the genre. They played around with (*gasp) counterpoint, polyrhythms, harmonic interplay and melodies.

I'm kind of starting to get a little punk-fatigue already (better brace myself for the upcoming run of the Sex Pistols etc.) but this is an interesting and engaging album that still manages to wear its attitude tattooed on its face.