Scritti Politti "Cupid & Psyche 85" (1985)
I was quite looking forward to this based on the description: a loose
musical collective who had been noodling around in post-punk
experimentalism, but (having heard Quincy Jones' production on Michael
Jackson's albums) decided to delve into the world of pop. I ended up
feeling slightly underwhelmed by it.
The band had enlisted some seasoned session players and sprinkled
everything with some studio gloss, but the songs just feel like they're
not memorable enough, and the gloss is a little thick so the songs seem to lose their 'oomph' a bit. Possibly it's just that this sound
is, 'aesthetically', not in line with my tastes.
Showing posts with label Roland. Show all posts
Showing posts with label Roland. Show all posts
Thursday, March 19, 2020
Thursday, March 5, 2020
Day 0550 - Songs From the Big Chair
Tears For Fears "Songs From the Big Chair" (1985)
This is something of an 80s pop power-house. It's an album that featured the hits "Shout", "Everybody Wants to Rule the World" and "Head over Heels" and which would go on to help TfF find success in the US as well as continuing their success in their native England.
There is the bombastic power of pop anthems like "Shout", but also the moody, noirish jazz vibe of a track like "I believe" and the low-key, vaguely world-music outro "Listen". That variety makes for an enjoyable listening experience and stops the album from being anywhere near one dimensional.
The album title came from a film called 'Sybil' about a woman with multiple-personality disorder, who only felt safe while recounting her problems to her therapist while sat in the 'big chair' in his office.
This is something of an 80s pop power-house. It's an album that featured the hits "Shout", "Everybody Wants to Rule the World" and "Head over Heels" and which would go on to help TfF find success in the US as well as continuing their success in their native England.
There is the bombastic power of pop anthems like "Shout", but also the moody, noirish jazz vibe of a track like "I believe" and the low-key, vaguely world-music outro "Listen". That variety makes for an enjoyable listening experience and stops the album from being anywhere near one dimensional.
The album title came from a film called 'Sybil' about a woman with multiple-personality disorder, who only felt safe while recounting her problems to her therapist while sat in the 'big chair' in his office.
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