Tears For Fears "Songs From the Big Chair" (1985)
This is something of an 80s pop power-house. It's an album that featured the hits
"Shout", "Everybody Wants to Rule the World" and "Head over Heels" and
which would go on to help TfF find success in the US as well as
continuing their success in their native England.
There is the bombastic power of pop anthems like "Shout", but also the
moody, noirish jazz vibe of a track like "I believe" and the low-key,
vaguely world-music outro "Listen". That variety makes for an
enjoyable listening experience and stops the album from being anywhere
near one dimensional.
The album title came from a film called 'Sybil' about a woman with
multiple-personality disorder, who only felt safe while recounting her
problems to her therapist while sat in the 'big chair' in his office.
Showing posts with label heels. Show all posts
Showing posts with label heels. Show all posts
Thursday, March 5, 2020
Wednesday, January 8, 2020
Day 0495 - The Visitors
ABBA "The Visitors" (1981)
I'm a bit of an ABBA fan but I don't actually own this album. The album feels like a bit of ABBA past/present/future in that there are sounds that they'd already made famous: the catchy songs with luscious harmonies such as on "one of us", but many of the songs dip into (for the time) the 'now' sounds of modern synthesizer. There are hints of the future too, both in songs like "I let the music speak" which hints at the musical theatre avenues that Benny and Bjorn would explore post-ABBA; and just with a track like "the Visitors" which with its swirling soundscapes and middle-eastern flavour almost sounds like the start of a Chemical Brothers' track.
The divorces of the two couples in ABBA (and subsequent breakup of the group) render this in a slightly more sombre collection of tracks than previous albums... and to be honest, I kind of feel like the darker undertone works well to offset their natural cheesiness and naivety.
I'm a bit of an ABBA fan but I don't actually own this album. The album feels like a bit of ABBA past/present/future in that there are sounds that they'd already made famous: the catchy songs with luscious harmonies such as on "one of us", but many of the songs dip into (for the time) the 'now' sounds of modern synthesizer. There are hints of the future too, both in songs like "I let the music speak" which hints at the musical theatre avenues that Benny and Bjorn would explore post-ABBA; and just with a track like "the Visitors" which with its swirling soundscapes and middle-eastern flavour almost sounds like the start of a Chemical Brothers' track.
The divorces of the two couples in ABBA (and subsequent breakup of the group) render this in a slightly more sombre collection of tracks than previous albums... and to be honest, I kind of feel like the darker undertone works well to offset their natural cheesiness and naivety.
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