Showing posts with label Jonathan. Show all posts
Showing posts with label Jonathan. Show all posts

Sunday, January 24, 2021

Day 0876 - Follow the Leader

Korn "Follow the Leader" (1998) - got it

 

When I was in high school, Korn were a big deal.  They, along with a number of angry, shouty, down-tuned rock bands that made up the nu-metal scene seemed to be everywhere in the late 90s and early 00s.   

Even though it was supposed to be a movement of outsiders pushing against conformity by mashing up genres and kicking against 'the popular kids', the genre became trite, commercialised and obsessed with its own image.  Korn in particular made a thing of wearing ADIDAS and, when offered a shit-ton of money by Puma to wear their stuff instead, jumped ship.


After two albums of their growly, low-end focussed metal, Korn injected this album with a bit of variety in the shape of more of a lean into  the hip-hop side of their sound.  Guest spots by Ice Cube, the Pharcyde's Tre Hardson and (meh) Limp Bizkit's Fred Durst are featured.   This last collaboration is on the now definitely dated battle track where Jonathan Davis and Durst throw homophobic slurs at each other.

The album opens with a minute's silence made up of 12x 5 second tracks.   When I was at school there was a story going around that it was Korn demanding a minute's silence for themselves as the progenitors of the nu-metal genre, but apparently it's more humble and less cringeworthy than that.  The minute of silence was dedicated to a fan who died of cancer.  He had been able to meet the band as a dying wish.

The album is a tad overlong as are many of the songs, though "Children of the Korn" (with Ice Cube); single "Got the Life" with its disco beat and slap bass; and closer "My Gift to You" with it's slow, epic, bagpipe backed groove are still good, even now.

I enjoyed Korn at the time, haven't really revisited them much in the last few years.  It's not that I don't still like aggressive, loud rock, I just think that their particular brand of it sits best with you when you're adolescent, angry, and not thinking too hard.   

Wednesday, January 20, 2021

Day 0872 - Deserter's Songs

Mercury Rev "Deserter's Songs" (1998)

Another of those "I knew the band-name but not the music" situations.  Apparently this isn't necessarily the album to start on with this band as it was a bit of a departure from their previous albums.  It's baroque pop with a range of interesting rock and orchestral instrumentation (right up my alley).

The book makes comparisons to the Beach Boys, and while that is usually made as a lazy comparison to say they have nice vocal harmonies (I should know, I've used the reference myself at times), this is actually quite reminiscent of Brian Wilson's sonic experimentation in "Pet Sounds" and "Smile".   

Another comparison made was Neil Young Singing over Pink Floyd... true, vocalist Jonathan Donahue does have a similar voice to Young and the music does have a Floydish vibe in places.   I'd add a third reference to the pot, Flaming Lips.   Donahue's high, clean vocals over such progressive, swirling pop can't help but bare a resemblance to that other innovative art pop group.

Tuesday, June 16, 2020

Day 0653 - What’s That Noise?

Coldcut "What's That Noise?" (1989)



"What do you get when you combine an art teacher and a computer programmer?"  Sounds like the setup to a bad joke, but the answer is actually 'Coldcut'.   The two had started off DJing individually and eventually made contact and started working together.

Much like the previous entry from 808 State, this is an interesting electronic album, built mainly from samples.  Unlike the 808 State album though, this one does have a few featured vocal turns including Mark E Smith from the Fall (“I’m in deep”), and Lisa Stansfield (“People hold on”).