Day 0487 - Wild Gift

X "Wild Gift" (1981)

 
Punk rock, rockabilly, mixed with almost 1950s-esque pop.  That style, with the combination of male and female vocals makes it feel like a slightly more musical take on the B-52s' sound, or something akin to the wild and woolly retro sound of the Cramps.

An enjoyable album that had my wife and I both bobbing our heads along with it.

The album was produced by ex-Doors keyboardist Ray Manzarek, who also played on some of the tracks (I guess he'd have to really wouldn't he.  You wouldn't want to miss that opportunity).

Day 0486 - Damaged

Black Flag "Damaged" (1981)

Wow, that is an in-your-face punk album!  According to the book, the first few BF recordings had been in a much less intense 70s punk vein.  This album (the first with raging new singer Henry Rollins) slit that vein and spewed forth angry hardcore punk rock, almost crossing into metal in places.  There's not a lot of melody on show here, but it sorts of feels like too much melody would take away from the intensity of the music.

The band were early proponents of the DIY punk scene.  After their record label decided not to release the album, (claiming it was immoral) the band released it themselves.   The band then jumped in a van with their gear and a roadmap to tour the album off their own bat.

Day 0485 - My Life in the Bush of Ghosts

David Byrne and Brian Eno "My Life in the Bush of Ghosts" (1981)

Having enjoyed the individual works of Eno and Byrne; I was keen to hear this one.  The album, described by Eno as "psychedelic Africa" was delayed in its release due clearance issues with the various copyrighted materials sampled.  As a result, the Talking Heads'  "Remain in Light" album (also produced by Eno), though recorded later, was released before this collaboration.

Whereas that Talking Heads album was built on a foundation of jam sessions among the various musicians, this is much more a studio construct, formed around samples and based heavily on Holger Czukay's "movies" album.  An interesting album to be sure, but I'd say I really prefer Byrne in more of a traditional song-based vein, whether it's with the Heads, with St Vincent or as a solo artist.

Day 0484 - Architecture and Morality

Orchestral Manoeuvres in the Dark "Architecture and Morality" (1981)

 
OMitD are one of those bands where I had heard their name plenty of times but wasn't really familiar with them musically.  Something about them (maybe as simple as liking their album artwork or liking their name) made me really keen to check them out.

The actual result fits in the "it's alright, but I wouldn't rush to listen to it again" category.  An album of synth-pop that the book perhaps overhyped with its various Beatles comparisons: they're from Liverpool and deliver their mix of pop and experimentalism in digestible 3 1/2 minute chunks.

I listened through a couple of times and none of the music particularly stayed with me.  There were parts where I enjoyed a melody here or a synth-line there, but largely it passed me by without too much fanfare. 

Regardless, I would be willing to hear more from this band.

Day 0483 - Non-stop Erotic Cabaret

Soft Cell "Non-stop Erotic Cabaret" (1981)

My favourite part from the blurb about this one in the book is where it said that the band ended up breaking up when, after a bad review, vocalist Marc Almond marched into the office of the critic and set upon him with a bullwhip.   It just screams the kind of twisted sass that you'd associate with a band who made a career out of singing about the seedy sex-market underbelly of the UK.

It's an interesting album  with a very 80s vibe.  The band are a duo with one of them on vocals and the other creating the music, largely just using a drum machine and synthesisers.  There are hints of sleazy jazz moods.  As far as the lyrical sleaze, it feels almost a tad naive in places; like a virgin trying to bluff everyone that he has totally got laid a bunch of times (no matter what that flasher jacket and sleazy porn-star mo might suggest).


The track most people will know from this one is "Tainted Love".





Really looking forward to the next little run of albums.  There are a few artists that I've been meaning to check out and just have never got around to.

Day 0482 - No Sleep 'til Hammersmith

Motörhead "No Sleep 'til Hammersmith" (1981)

A pretty solid live album.  I've said it before, I'm not the biggest fan of live albums.  This one works though, given that their albums are pretty down and dirty and lacking studio 'sheen' so this is just a raw representation of what they do, with the extra sweat and intensity of it being laid out live, and maybe a little faster.

The Motörhead ethos is clearly spelt out with the liner notes which include the dedication

"Thanks to Smirnoff and Carlsberg without whom lots of this would have been coherent."

Day 0481 - Beauty and the Beat

The Go-Gos "Beauty and the Beat" (1981)

Originally started in LA 1978 as a punk rock band (their singer had even been in the Germs for a while). The band claimed that they could barely play their instruments when they started, but that they seemed propelled towards success, with this, their first album spending 6 weeks in the Billboard chart.

By the time this album came out, much of the band's punkiness had been airbrushed with a gloss of a new-wavey take on the old-school girl group pop sound.  It actually works really well, like, catchy songs but with some guts and a bit of rock to them. Not a million miles from something like Letters to Cleo with their cover of "I want you to want me" in "10 things I hate about you".