Showing posts with label say. Show all posts
Showing posts with label say. Show all posts

Friday, September 11, 2020

Day 0740 - Whatever

Aimee Mann "Whatever" (1993)



Aimee had been bassist and vocalist for the band Til Tuesday, who had a successful Mann-penned single "Voices Carry".   The band broke up and Mann pursued her solo career.

This is Aimee's first solo album and it's brilliant for a couple of reasons.  First and foremost, Mann is an amazing songwriter.  She's another of those rare songwriters whose lyrics actually made me stop and take notice, she has real way with words.  The ballad "I know there's a word" is brilliant and affecting while still being tastefully opaque.

The other reason is that Mann enlisted the help of Til Tuesday touring member and multi-instrumentalist Jon Brion, who would go on to produce my favourite Fiona Apple album as well as albums by such adventurous souls as the Eels, David Byrne, and Rufus Wainright.

The music has a bit of a country lilt to it, maybe a hint of Fleetwood Mac's Rumours, and then (possibly courtesy of Brion) a subtle theatricality in places.

I thoroughly enjoyed this.  It's almost the opposite to a lot of albums, in that rather than being a bit front-loaded, it gets better the further into the tracklist you go so that you end on a high note, ready to revisit the songs.

Tuesday, June 23, 2020

Day 0660 - 3 Feet High and Rising

De La Soul "3 Feet High and Rising" (1989)

 
For a time De La Soul were labelled as rap's hippies.  This album is a startlingly more colourful, sunshiney and less aggressive release than those from other prominent hiphop artists at the time such as Public Enemy and NWA.

One critic called them the new-wave to Public Enemy's punk, and I guess it's as good a comparison as any.   A sample-heavy record, the group had borrowed from artists as diverse as Johnny Cash, Hall & Oates, and the Turtles.   The latter of these would lead to the former members of the Turtles suing the band for samples of their music featured in the track "Transmitting from Mars".  That lawsuit took a lot of air out of the sampling movement, with artists coming to fear the exorbitant legal costs that could result.

I don't usually take much interest in lyrics, but as one of the songs features the name of my wife I decided to read the lyrics.  This is some top shelf wordplay: interesting, narrative and creative usage.

Friday, December 27, 2019

Day 0483 - Non-stop Erotic Cabaret

Soft Cell "Non-stop Erotic Cabaret" (1981)


My favourite part from the blurb about this one in the book is where it said that the band ended up breaking up when, after a bad review, vocalist Marc Almond marched into the office of the critic and set upon him with a bullwhip.   It just screams the kind of twisted sass that you'd associate with a band who made a career out of singing about the seedy sex-market underbelly of the UK.

It's an interesting album  with a very 80s vibe.  The band are a duo with one of them on vocals and the other creating the music, largely just using a drum machine and synthesisers.  There are hints of sleazy jazz moods.  As far as the lyrical sleaze, it feels almost a tad naive in places; like a virgin trying to bluff everyone that he has totally got laid a bunch of times (no matter what that flasher jacket and sleazy porn-star mo might suggest).


The track most people will know from this one is "Tainted Love".





Really looking forward to the next little run of albums.  There are a few artists that I've been meaning to check out and just have never got around to.

Saturday, September 7, 2019

Day 0372 - Exodus

Bob Marley and the Wailers "Exodus" (1977) - got it


A bit of a change from my usual "all reggae sounds the same" spiel.  Though there are a few familiar reggae musical devices here; there is also a healthy dose of variety, with everything from scratchy organic reggae through to soul, pop and proto-disco elements finding their way into the mix.

While songs like "One love", "Jamming" and "Three little birds" are definitely reggae, they are also pretty solid pop songs.  Bob does a good job of balancing his political messages with some more universal messages.

It's a surprisingly upbeat record considering that Marley had recently relocated to England after a gunman injured him and his wife in their home during a murder attempt.