Day 0993 - 21

Adele "21" (2011)

Ah, that old inspirational goldmine - the relationship breakup.  

Adele had wanted to create something a bit more upbeat and contemporary to follow up her debut "19".   Her first sessions weren't incredibly productive.  To add salt to the wound, she played her first track, the gospel "Take it All" to her boyfriend (it was written during a difficult period in their relationship) which contributed to the couple breaking up.   Adele threw herself into her music.

The album was recorded with a range of producers both in the UK and US, but the various tracks are held together as a cohesive album thanks to Adele's powerful, adept voice. Whether it's the piano ballad "Someone Like You", the stomp of "Rolling in the Deep" and the Northern Soul of "I'll be Waiting", Adele makes them her own.  

 

Don't have too much more to say about this one.  As much as it hangs together well, the singles clearly stand out above than the other tracks for me. I guess that's not entirely unusual for a pop album.

Day 858 - Urban Hymns

The Verve "Urban Hymns" (1997)

The Verve reformed a year or two after breaking up (where's the commitment to the quitting?) and started working on new music.  Initially they were joined by Simon Tong in place of guitarist Nick McCabe but McCabe was convinced to rejoin.

While there is still some of the swirly, psychedelic rock  of "A Northern Soul" in tracks like "The Rolling People" and album closer "Come On" (featuring Liam Gallagher on backing vocals), the album's strong points are more in its subtler melodic moments like morose ballad "the Drugs Don't Work" or Orchestra-sampling, lawsuit-courting album opener "Bittersweet Symphony" that borrowed a little too obviously from an old Rolling Stones song.

I remember when this came out in the late 90s I didn't really care for it at all.  I kind of liked the track "Lucky Man" but I found the other singles to be quite grating.   I'm not sure if I was just being contrary, if my tastes have changed or these songs just needed time to percolate because coming into this listen I was really looking forward to hearing "drugs don't work" and other tracks, and just enjoyed listening to it all.

0266 - All Directions

The Temptations "All Directions" (1972)

 
The Temps continue to prove themselves to be "more just that band who sung 'My Girl'".  The group continue to explore sounds outside of the standard Motown sound, as already heard in slinky funky wah-wah infused albums like 'Cloud Nine' and 'Psychedelic Shack'.

This album is full of funky grooves, including the nearly 12 minute jam of 'Papa was a Rollin' Stone' and gets in your face with the N-bomb laden "Run Charlie, Run" that definitely draw a line in the sand between this album and the clean, short-n-sweet pop of their earlier material.

It comes with a deceptively run of the mill album cover, featuring a clean-cut band photo that doesn't immediately hint at the interesting directions explored within.

Day 0070 - Aftermath

The Rolling Stones "Aftermath" (1966)

The first RS album where they wrote all of the songs themselves... and it benefits from this, with a nice variety of strong songs.

Brian Jones (who was apparently a bit bored by this point) stretches out beyond his guitar duties to add some sitar, marimba and a variety of other instruments.
Several tracks were omitted for the US edition of the album; but they got 'Paint it Black' instead, which is pretty sweet compensation!