The Jungle Brothers "Done by the Forces of Nature" (1989)
The Brothers beefed up their classic rap sound with elements of jazz,
world music, house, funk and Afrobeat. According to the book, the group
were accused of selling out, but history appears to have vindicated the them, with the album being pegged quite high on several ranked lists,
not to mention retrospective reviews generally lauding the album.
Showing posts with label jungle. Show all posts
Showing posts with label jungle. Show all posts
Thursday, June 25, 2020
Friday, April 24, 2020
Day 0600 - Appetite For Destruction
Guns n Roses "Appetite For Destruction" (1987)
Gunners, formed from members of two bands: LA Guns and Hollywood Rose... should be pretty obvious from that where their new band got its name. After a few disagreements and members quitting, guitarist Slash and drummer Steven Adler were brought into the fold and... well I'd say the rest was history, but the band line-up continued to be in flux long after this.
The 'classic' GnR lineup set about recording their debut album. They had an abundance of material, and several songs (including "Don't Cry", "November Rain" and "You Could Be Mine") were held over until the "Use Your Illusion" album.
The album doesn't suffer from the omissions, it's a stonking classic of a rock album. From opener "Welcome to the Jungle", the blues rock vibe of "Nightrain" to the MTV favourite, rock ballad "Sweet Child o' Mine", the album is a lean, mean rock monster. I'm not even a huge GnR fan, but I enjoyed every song.
I'm not sure if this is true or 'Axl legend' but I read that the band finished the music quite quickly, but Axl insisted on recording his vocals one line at a time to make sure and get everything right. I'll bet he had a glass of brown M&Ms on standby too.
The original cover (top) featuring some kind of robot john and a prostitute or something was deemed to be 'a bit much' and was replaced with the better known alternative above.
Gunners, formed from members of two bands: LA Guns and Hollywood Rose... should be pretty obvious from that where their new band got its name. After a few disagreements and members quitting, guitarist Slash and drummer Steven Adler were brought into the fold and... well I'd say the rest was history, but the band line-up continued to be in flux long after this.
The 'classic' GnR lineup set about recording their debut album. They had an abundance of material, and several songs (including "Don't Cry", "November Rain" and "You Could Be Mine") were held over until the "Use Your Illusion" album.
The album doesn't suffer from the omissions, it's a stonking classic of a rock album. From opener "Welcome to the Jungle", the blues rock vibe of "Nightrain" to the MTV favourite, rock ballad "Sweet Child o' Mine", the album is a lean, mean rock monster. I'm not even a huge GnR fan, but I enjoyed every song.
I'm not sure if this is true or 'Axl legend' but I read that the band finished the music quite quickly, but Axl insisted on recording his vocals one line at a time to make sure and get everything right. I'll bet he had a glass of brown M&Ms on standby too.
The original cover (top) featuring some kind of robot john and a prostitute or something was deemed to be 'a bit much' and was replaced with the better known alternative above.
Wednesday, November 27, 2019
Day 0453 - Specials
The Specials "Specials" (1979)
The Specials kind of came out fully formed here; from their image (suits and narrow ties, shades and porkpie hats - referencing UK 'mods' and Jamaican 'rude boys'), to their music which was a brash and rocky take on ska, dub and rocksteady... all with a hint of the recent punk movement reflected in it.
A number of the band members sing, but it's the combination of lead singers Neville Staple with his warm round Jamaican accent and Terry Hall with his punkish holler that really help carve out a unique sound amongst the then burgeoning ska scene in the UK. "Too much too young" is a favourite of mine here.
....well goodbye 1970s. You have been an education.
The Specials kind of came out fully formed here; from their image (suits and narrow ties, shades and porkpie hats - referencing UK 'mods' and Jamaican 'rude boys'), to their music which was a brash and rocky take on ska, dub and rocksteady... all with a hint of the recent punk movement reflected in it.
A number of the band members sing, but it's the combination of lead singers Neville Staple with his warm round Jamaican accent and Terry Hall with his punkish holler that really help carve out a unique sound amongst the then burgeoning ska scene in the UK. "Too much too young" is a favourite of mine here.
....well goodbye 1970s. You have been an education.
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