Day 0994 - D

White Denim "D" (2011)

Originally a 4-piece group called Parque Touch.  Once one of their members left, the group solidified into a trio for a couple of lo-fi psychedelic rock albums.   They then recruited a new fourth member before moving into a professional studio to record "D".

The mix of psychedelia, melody and decent recording techniques is delightful.   "Burnished" with its distorted, fiddly playing around with time signatures reminds me favourably of Soundgarden.  It then segues seamlessly into the fusiony fretboard pyrotechnics of "Back on the Farm".

The pace is pulled back then for "Street Joy" which is spacey and melodic.  Elsewhere "River to Consider" has a busy 'world music' percussion and jazz flute.   It's not all trippy melodic and psychedelic rock though.   "Is and Is and Is" er... is a solid rock track with Ian Curtis-esque vocals.   The album closes on a relaxed note with "Keys" which has kind of a laid-back Lou Reed "Transformer" vibe to it.

I don't quite rate this as an "I must rush out and buy this one" album, but definitely above average and I enjoyed it well enough.

Day 0583 - Rapture

Anita Baker "Rapture" (1986)

Apparently this album was well-received on its release, but quickly faded from the public consciousness; I can kind of see why.  It's similar to Tina Turner's "Private Dancer" album.  A talented singer belting it out over a somewhat glossy, studio-polished set of tracks.

Enjoyable and totally listenable music, but not the most memorable or vital release ever.

Day 0468 - Closer

Joy Division "Closer" (1980)

The sonic experimentation of 'unknown pleasures' is set aside in favour of laying the songs bare (other than some well placed reverb). The music remains fairly mechanical and cold but with increasing use of synthesizers, possibly hinting that the New Order direction would have still happened had Curtis survived.

Ian Curtis' lyrics are grim and funereal. He had said to one of his bandmates that he felt the lyrics were essentially writing themselves and that he felt like a weird feeling of claustrophobia and being pulled into a whirlpool and drowning. He was dead before the album was released, which makes the crypt/tomb album cover a rather prescient choice.

Day 0436 - Unknown Pleasures

Joy Division "Unknown Pleasures" (1979)

Another band where I'd listened to lots of bits and pieces but not an entire album.

Unlike some other artists on this list, Joy Division manages to totally earn the hype that surrounds them. With its mix of electronic and acoustic drums, the pulsing basslines and the various 'found sounds' basically make this a forerunner to a lot of industrial rock.

Ian Curtis' vaguely droney baritone occasionally bursts into a rock snarl, but mostly helps pin the music in a sort of garage-meets-minimalit-shoegazer area. Seems as though it could have been a starting point for bands as diverse as R.E.M, Sonic Youth and NIN.