Nick Cave & the Bad Seeds "Henry's Dream" (1992) - got it
After internal conflicts, the Birthday Party broke up. Members Nick
Cave and Mick Harvey put together a pretty impressive collection of
talent with Barry Adamson, Blixa Bargeld (Einstürzende Neubauten) and JG
Thirwell (Foetus, Steroid Maximus, Manorexia etc.). The line-up
eventually pared down somewhat and started cranking out the albums,
evolving towards the Bad Seeds' particular blend of delta-blues, murder
ballads and goth-gospel.
"Henry's Dream" was their seventh release. Reportedly Cave didn't enjoy
the recording process for it himself, but the result is pretty
arresting. It's like some giant apocalyptic catastrophe hits during the
pulsing, unrelenting acoustic first track, with its dark imagery
building to include "lynch mobs/death squads/babies being born without
brains". In the aftermath of this event there are those cracked, dry
and broken ("Brother my cup is empty"), wandering around the world
("When I first came to town"), but there is also the chance for
redeeming love ("Straight to you").
I love the bad seeds, but I have to say that a few of their albums (this
one included) tend to lag a bit towards the end. I find the last
couple of tracks to be less interesting than what has preceded them.
Not bad, just not up to the standard of the rest of the album.
Showing posts with label christina. Show all posts
Showing posts with label christina. Show all posts
Wednesday, September 2, 2020
Wednesday, October 30, 2019
Day 0425 - Ambient 1: Music For Airports
Brian Eno "Ambient 1: Music For Airports" (1978)
Eno, having produced some great pop-rock records and Bowie's adventurous Berlin trilogy, as well as his own solo albums that mixed traditional song structures with interesting production techniques and background sonic experiments took a few steps further here.
Eno had been moving in more and more ambient directions, here he fully takes the plunge with relatively formless, sparse soundscapes. Eno stated that the music "...must be as ignorable as it is interesting", music designed to have on in the background and drift in and out of, rather than concentrate on intently, and in that, it succeeds beautifully.
Eno, having produced some great pop-rock records and Bowie's adventurous Berlin trilogy, as well as his own solo albums that mixed traditional song structures with interesting production techniques and background sonic experiments took a few steps further here.
Eno had been moving in more and more ambient directions, here he fully takes the plunge with relatively formless, sparse soundscapes. Eno stated that the music "...must be as ignorable as it is interesting", music designed to have on in the background and drift in and out of, rather than concentrate on intently, and in that, it succeeds beautifully.
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