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Wednesday, April 7, 2021

Day 0949 - Elephant

I was saying earlier that I didn't know how this decade of the book would play out and how they'd choose entries without the proof of longevity or influence on other artists to recommend them.   Well I've noticed they do seem to be working through the years quicker, with maybe less than 10 entries for some years whereas the 60s-90s' years tended to have a lot more albums represented. 



0949

The White Stripes “Elephant” (2003)


Another reasonably tight, concise bit of rock from the White Stripes.

Following on from the mainstream success of “White Blood Cells” (see day 929) the Stripes buckled down to work on their fourth album.   They used only old analogue recording equipment because that was Jack White’s whole anti-technology obsession at the time.

The album starts off strong with the big single “Seven Nation Army” which has an economical but effective arrangement, paring a memorable octaved-down single-string guitar line with a thumping tom drum, breaking out into trebly distorted guitar with splashy cymbals for the vocal-less chorus.   The second track “Black Math” almost has a bit of a punky bent to it (as does later track “Girl you Have no Faith in Medicine”).  

While the other songs are good, I do feel like the album/band start to lose their punch.  The third track “There’s no Home for You Here” sounds like a re-tread of “Dead Leaves on the Dirty Ground” from the previous album, but with the raucous choruses replaced with vocal harmonies.  I also notice that a lot of the songs seem to start in a similar key or even with a same chord leading me to think that White’s voice, though distinctive and strong may not have the broadest range.

As I say though, still a strong album.  Some other highlights include “In the Cold Cold Night” which is a nice bluesy ballad with Meg on vocals; “I want to be the boy to warm your mother’s heart” which is a piano-based track with a country-sounding lead break; and the other big single from the album “Hardest Button to Button”.

Friday, February 5, 2021

Day 0888 - The Contino Sessions

Death in Vegas “The Contino Sessions” (1999)


The band were originally called ‘Dead Elvis’, but as it tunred out this was the name of an existing record label.  They changed their name to the thematically similar ‘Death in Vegas’ and used the Dead Elvis moniker for their first album instead.

The Contino Sessions (named for their recording space) is their second album.  The blurb in the book mentioned DJing and electronica and I’d thought that I’d be getting something very much in that musical arena.   I was quite surprised then to hear the opening track “Dirge” that starts with a sparse guitar line and vocals, then eventually builds to a Shoe-gazey wall of guitar noise.  

There are definitely electronic elements here (electronic beats, loops) but the sound veers between the aforementioned shoegazey sound and triphop, with shoe-gaze/wall-of-guitar band Jesus and Mary Chain’s vocalist Jim Reid featuring on one track “Broken Little Sister”.  Actually, that one sounded a bit familiar to me.

The second track “Soul Auctioneer” features a sinister, subdued groove that would not feel out of place on an early Massive Attack album.   Iggy Pop features spoken word vocals on “Aisha”, meanwhile the track “Aladdin’s Story” is a rare burst of upbeat melody amongst the gloom… though even there, it’s deceptive.  The few lyrics are hardly uplifting “Nobody knows the trouble I’ve seen/Nobody knows my sorrow”.