Day 0856 - New Forms

Roni Size/Reprazent "New Forms" (1997)

Roni had grown up in the musical melting pot of Bristol, home of the trip-hop of Portishead and Massive Attack, but also a lot of dub and reggae.   Roni saw gigs by Massive Attack forerunner The Wild Bunch, learned to DJ at his local youth club and formed 'Roni Size and Reprazent.

Their debut album here is an interesting mix of high BPM DnB patterns with dub, soul, jazz bass, and electro tracks.   The songs are generally built on repetitive loops that are given a good 5+ minutes to develop with vocals featuring on some tracks.

I knew the name Roni Size, didn't think I'd heard any of his music but "Digital" sounds quite familiar, so I may have done after all.

Reprazent only released one other album, but Roni collaborated with other artists, did remixes and even contributed to the interesting soundtrack to the film "Spawn" that paired up metal and hard-rock acts with electronic producers and artists.

Day 0634 - Nothing's Shocking

Jane's Addiction "Nothing's Shocking" (1988) - got it

Jane's have been compared to Led Zeppelin in the past, and I can kind of see it.  Unlike bands like Wolfmother or Greta Van Fleet who emulate Zeppelin like they're a covers band, Jane's channelled the same energy into an original sound.   Four members each with masterful control over their instrument.  Pounding drums, wailing high vocals, twiddly bass-lines and guitar that melds folky-acoustic, psychedelia, stadium rock and virtuoso soloing.

The songs have an energy and danger to them, dripping with sexuality and cynicism.  This is one of those albums that laid a lot of groundwork for the 90s alt-rock movement.  In fact it was bands like Jane's with their mix of stadium rock, psychedelic pop, funk, atmospheric rock etc. that led to the 'alt-rock' label to be coined... which must have frustrated them, as the whole point for them was trying to make music that avoided labels.

Jane's have always been a bit of a fraught outfit.  During the recording of this outfit, singer Perry Farrell suddenly demanded 50% of the royalties for writing the lyrics and a percentage for writing the music.   Eventually he got his way and the rest of the band walked away with 12.5% each.  Inner conflicts eventually led to the band breaking up, with intermittent reunions in the years to follow (almost always sans original bassist Eric Avery).