Day 0678 - Ritual de lo Habitual

Jane's Addiction "Ritual de lo Habitual" (1990) - got it

The last album before the tumultuous Jane's broke up (for the first time). 

It really is "an album of two halves".  The first 5 tracks are more or less stand-alone rock songs, including the brilliant "Been caught stealing".  The last 4 songs take you on a journey, musically and emotionally with songs written for Farrell's mother who committed suicide, and his girlfriend who overdosed.  The songs are drawn out alternative rock epics with synthesisers, piano and strings on "Then she did..." which almost touches on Zeppelin's 'Kashmir' or "Stairway' in its scope and power.   That is followed by the brilliantly left-field middle-eastern flavoured "Of course" with heavily featured violin, plodding, elephantine percussion and Farrell's voice hitting new heights of nasal-ness.... nasality?

Day 0634 - Nothing's Shocking

Jane's Addiction "Nothing's Shocking" (1988) - got it

Jane's have been compared to Led Zeppelin in the past, and I can kind of see it.  Unlike bands like Wolfmother or Greta Van Fleet who emulate Zeppelin like they're a covers band, Jane's channelled the same energy into an original sound.   Four members each with masterful control over their instrument.  Pounding drums, wailing high vocals, twiddly bass-lines and guitar that melds folky-acoustic, psychedelia, stadium rock and virtuoso soloing.

The songs have an energy and danger to them, dripping with sexuality and cynicism.  This is one of those albums that laid a lot of groundwork for the 90s alt-rock movement.  In fact it was bands like Jane's with their mix of stadium rock, psychedelic pop, funk, atmospheric rock etc. that led to the 'alt-rock' label to be coined... which must have frustrated them, as the whole point for them was trying to make music that avoided labels.

Jane's have always been a bit of a fraught outfit.  During the recording of this outfit, singer Perry Farrell suddenly demanded 50% of the royalties for writing the lyrics and a percentage for writing the music.   Eventually he got his way and the rest of the band walked away with 12.5% each.  Inner conflicts eventually led to the band breaking up, with intermittent reunions in the years to follow (almost always sans original bassist Eric Avery).