Day 0616 - Vivid

Living Colour "Vivid" (1988) - got it

One of the first black metal bands (as opposed to black-metal), Living Colour was started by guitar maestro Vernon Reid, and originally billed as 'Vernon Reid's Living Colour'.   Vernon was originally from the UK, which I guess explains the English spelling of colour. 

The band sought to break down the idea of rock/metal being for whites and rap/RnB being for blacks.  Reid assembled a highly talented band, including bassist Muzz Skillings, drummer Will Calhoun and vocalist Corey Glover to produce this mash-up of rock, metal, funk, rap and occasional balladry.  A strong sense of melody is evident throughout in even the heavier songs.
 
Brilliant album that I haven't listened to nearly enough lately.  So again I have to thank this 1001 albums thing for (a) introducing me to new and interesting music, and (b) leading me to revisit and rediscover albums that I was already familiar with.

Day 0601 - Darklands

The Jesus and Mary Chain "Darklands" (1987)

With "Darklands" J&MC move from a fuzzed-out 'shoegazer' sound, to something that almost sounds like "upbeat Joy Division".  Their drummer had left to become the lead singer of Primal Scream, so the band opted to replace him with a drum machine.  As a result of this, and I guess their general songwriting style, their songs have zero groove.  It's not necessarily a bad thing, it just means that their songs drift along like a dreamy wave heading serenely for shore, rather than like choppy surf.

I feel as though their previous album "Psychocandy" was the one that the band is better known for.  But I prefer the rolling, pulsing drone pop of "Darklands" over the fuzzy cloud of "Psychocandy".  I listened to this one 2 or 3 times and would happily spin it again.

Day 0560 - Psychocandy

The Jesus and Mary Chain "Psychocandy" (1985)

Much like the Smiths a couple of posts ago, I knew the Jesus and Mary Chain by name more than by their music.  As with the Smiths I'd dipped my toe a few years back but didn't really respond to what I found.

On revisiting the Smiths this time, I didn't mind them too much (more for Marr than Morrisey), but with the J&MC, I haven't really changed my mind on them.  They seek to mix the pop of 50s-60s girl groups and the abrasive wall of sound/noise of the Velvet Underground.  That could have been great, but, to my tastes, it feels like they took the weaker parts of those two sounds to create something that on the whole, falls a little flat.