Living Colour "Vivid" (1988) - got it
One of the first black metal bands (as opposed to black-metal), Living
Colour was started by guitar maestro Vernon Reid, and originally billed
as 'Vernon Reid's Living Colour'. Vernon was originally from the UK,
which I guess explains the English spelling of colour.
The band sought to break down the idea of rock/metal being for whites
and rap/RnB being for blacks. Reid assembled a highly talented band,
including bassist Muzz Skillings, drummer Will Calhoun and vocalist
Corey Glover to produce this mash-up of rock, metal, funk, rap and
occasional balladry. A strong sense of melody is evident throughout in
even the heavier songs.
Brilliant album that I haven't listened to nearly enough lately. So
again I have to thank this 1001 albums thing for (a) introducing me to
new and interesting music, and (b) leading me to revisit and rediscover
albums that I was already familiar with.
Showing posts with label cult. Show all posts
Showing posts with label cult. Show all posts
Sunday, May 10, 2020
Thursday, April 16, 2020
Day 0592 - Electric
The Cult "Electric" (1987)
The Cult had started work on their third album but, unhappy with the results, they asked Rick Rubin to remix one of the tracks. Rubin agreed to work with them, but only if they'd re-record the track with him. They ended up re-recording the whole album and delving into a more straight-ahead rock sound than on their previous, more gothic and melodic releases.
This is definitely a rock album. Wall to wall riffs that seem to draw equally from the gene-pools of AC/DC and Led Zep. I'd have to say too, this the most "Yeahs" I've ever heard in an album. Obviously we're not just talking about a standard 1 syllable "Yeah"; we're talking about an all caps, 2-3 syllable "YEE-EE-AH"
The Cult had started work on their third album but, unhappy with the results, they asked Rick Rubin to remix one of the tracks. Rubin agreed to work with them, but only if they'd re-record the track with him. They ended up re-recording the whole album and delving into a more straight-ahead rock sound than on their previous, more gothic and melodic releases.
This is definitely a rock album. Wall to wall riffs that seem to draw equally from the gene-pools of AC/DC and Led Zep. I'd have to say too, this the most "Yeahs" I've ever heard in an album. Obviously we're not just talking about a standard 1 syllable "Yeah"; we're talking about an all caps, 2-3 syllable "YEE-EE-AH"
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