Day 0997 - Channel Orange

Frank Ocean "Channel Orange" (2012)

Frank was studying at the University of New Orleans and working on his songwriting when Hurricane Katrina destroyed his home and recording setup.  He moved to Los Angeles, worked a number of jobs and established himself as a songwriter, writing for artists like John Legend and Justin Bieber.

After a run as part of a hip-hop collective, and a songwriting gig with Def Jam records, Frank self-released a mix-tape of him singing over other artists' songs.   The release blew up and Def Jam worked with Frank to release an album of his own material.

"Channel Orange" features collaborations with John Mayer, Andre 3000 and Pharrell Williams.  The book makes comparisons to Stevie Wonder and Prince, and those seem apt.   He has that 'soul mixed with good songwriting and embracing of technology' of Stevie, and the funk and sexuality of Prince.

"Crack Rock" "Bad Religion" and "Pink Matter" were my favourites.   "Bad Religion" in particular feels like it blends the Prince/Wonder influences perfectly.

In the album Ocean told of his unrequited love of a young man when he was in his teens which, given the more than occasional homophobia found in hip-hop, was a pretty damned brave thing to do.  It would have been worthy of inclusion in the list just for that, but the music earns its place too.

Day 0488 - Talk Talk Talk

The Psychedelic Furs "Talk Talk Talk" (1981)

An 80s band that managed to bridge the gap between the mainstream and underground pop scenes.  Melding melodic guitar lines and catchy saxophone, with a bit of punk directness showing up on some track.  The vocals seem to run somewhere between the ragged drawl of Shane McGowan and the snarl of Lou Reed.   The lyrics are anti-love and more focussed on sex for sex's sake, with penultimate track "I wanna sleep with you" feeling particularly aurally 'climactic'.

The track "Pretty in pink" had something of a resurgence in popularity after John Hughes used it in his film of the same name.

Day 0448 - The Wall

Pink Floyd "The Wall" (1979) - got it

A monster! Genius!

While many great prog bands had fallen from favour in the face of punk, or had attempted to change their sound to fit with the evolving musical climate; Pink Floyd pretty much just kept doing Pink Floyd.  Exploring their feeling of alienation from their audience in the spotlight of fame by building a literal wall (a beautiful wall, the bigliest) between them and the audience.

This is one of those rare double albums that actually legitimately works and doesn't just feel like a bunch of songs that could just as easily have been stuck on a couple of single releases.

The album uses repeated musical themes without sounding like it's just running short of ideas. Most of the songs work fine in isolation as well as part of the overall narrative. I can listen to one of my favourite Floyd songs "Goodbye Blue Sky" and not feel like I'm missing out on the story by not having heard the previous 6 tracks.

The album has plenty of variety, with theatrical art rock, pseudo-funk, atmospheric ballads, and yet manages to wrap all of this into a cohesive lyrical and musical narrative whole across two discs/records.

As a teen I used to listen to this album on a regular basis. Doing nothing else but lying back and listening to the whole 26 tracks uninterrupted.

Day 0292 - Dark Side of the Moon

Pink Floyd "Dark Side of the Moon" (1973) - got it

In some ways it seems odd that this became a platinum-selling hit record.  It was created by the band members trying to shed the psychedelic image that they had become popular for.  They were sat around drummer Nick Mason's kitchen table and making a list of things that worried them (money, time, death, madness) put some songs together and took them on the road as "Eclipse: a Piece For Assorted Lunatics".

In the studio the funky grooves and spacey guitar solos were augmented with avant, wordless female vocals; a musique concrete approach, bubbly synthesizers, and ALL of the studio technology of the time thrown at it.  With all of these non-'pop' elements, in some ways it doesn't seem like it should be the most 'mainstream' album.. but there are enough melodies and catchy grooves for the record-buying public to hang their hats on and so this album helped usher in the next stage of Floyd's sound.

"Dark Side of the Moon" became a musically and visually iconic album.   Just for the record, I haven't done the "Dark Side of the Moon/Wizard of Oz" thing, though I am Dark Side-curious.