Sisters of Mercy "Floodland" (1987)
The Sisters bring Gothic glower... and a choir.
After their first album, a couple of members left the band. Remaining
member Andrew Eldritch then enlisted the help of Patricia Morrison (from
the Gun Club) on bass and vocals, producer Jim Steinman (of Meatloaf
fame) and a drum machine called Doktor Avalanche. Together they created
a relatively cold, brooding, but surprisingly 'to the point' goth-rock
album.
Showing posts with label mother. Show all posts
Showing posts with label mother. Show all posts
Saturday, April 18, 2020
Thursday, March 12, 2020
Day 0557 - Hounds of Love
Kate Bush "Hounds of Love" (1985)
Following the relatively poor sales of her previous album "the Dreaming" Kate holed up her studio to work on this critically acclaimed album... that seems somewhat bass ackwards to me as I loved 'the Dreaming' but found this one to be only half as interesting.
Both albums are batshit crazy in their mixing and matching of different genres and sounds. This one possibly mixes even more sounds with synths, choirs, folky celtic percussion, genteel strings, vaguely tribal tones. I find the variety enjoyable, but I just think that the songs on "the Dreaming" are the stronger compositions.
Following the relatively poor sales of her previous album "the Dreaming" Kate holed up her studio to work on this critically acclaimed album... that seems somewhat bass ackwards to me as I loved 'the Dreaming' but found this one to be only half as interesting.
Both albums are batshit crazy in their mixing and matching of different genres and sounds. This one possibly mixes even more sounds with synths, choirs, folky celtic percussion, genteel strings, vaguely tribal tones. I find the variety enjoyable, but I just think that the songs on "the Dreaming" are the stronger compositions.
Friday, November 22, 2019
Day 0448 - The Wall
Pink Floyd "The Wall" (1979) - got it
A monster! Genius!
While many great prog bands had fallen from favour in the face of punk, or had attempted to change their sound to fit with the evolving musical climate; Pink Floyd pretty much just kept doing Pink Floyd. Exploring their feeling of alienation from their audience in the spotlight of fame by building a literal wall (a beautiful wall, the bigliest) between them and the audience.
This is one of those rare double albums that actually legitimately works and doesn't just feel like a bunch of songs that could just as easily have been stuck on a couple of single releases.
The album uses repeated musical themes without sounding like it's just running short of ideas. Most of the songs work fine in isolation as well as part of the overall narrative. I can listen to one of my favourite Floyd songs "Goodbye Blue Sky" and not feel like I'm missing out on the story by not having heard the previous 6 tracks.
The album has plenty of variety, with theatrical art rock, pseudo-funk, atmospheric ballads, and yet manages to wrap all of this into a cohesive lyrical and musical narrative whole across two discs/records.
As a teen I used to listen to this album on a regular basis. Doing nothing else but lying back and listening to the whole 26 tracks uninterrupted.
A monster! Genius!
While many great prog bands had fallen from favour in the face of punk, or had attempted to change their sound to fit with the evolving musical climate; Pink Floyd pretty much just kept doing Pink Floyd. Exploring their feeling of alienation from their audience in the spotlight of fame by building a literal wall (a beautiful wall, the bigliest) between them and the audience.
This is one of those rare double albums that actually legitimately works and doesn't just feel like a bunch of songs that could just as easily have been stuck on a couple of single releases.
The album uses repeated musical themes without sounding like it's just running short of ideas. Most of the songs work fine in isolation as well as part of the overall narrative. I can listen to one of my favourite Floyd songs "Goodbye Blue Sky" and not feel like I'm missing out on the story by not having heard the previous 6 tracks.
The album has plenty of variety, with theatrical art rock, pseudo-funk, atmospheric ballads, and yet manages to wrap all of this into a cohesive lyrical and musical narrative whole across two discs/records.
As a teen I used to listen to this album on a regular basis. Doing nothing else but lying back and listening to the whole 26 tracks uninterrupted.
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