Showing posts with label nigel. Show all posts
Showing posts with label nigel. Show all posts

Thursday, April 1, 2021

Day 0943 - Sea Change

Beck “Sea Change” (2002) – got it

Relationship breakups sometimes make for the best albums.  That was the case with the end of Beck’s 9-year relationship to his fiancĂ©e, after she cheated on him.  What to do when your heart has been broken by a cheatin’ woman…. Go country of course!

Beck wrote most of the songs in a week and then sat on them for a while.  He felt that the songs were too personal and that recording/releasing them would seem like airing his dirty laundry.  Not a surprising attitude for a guy who’d previously made his name laying abstract and cynical lyrics over a rapidly shifting collection of musical genres and sampled sounds.  Eventually he decided the breakup theme was universal enough to not seem too self-indulgent and recorded the songs.

‘Sea Change’ lives up to its name with Beck largely shelving his genre-splicing approach to largely stick with a ballady alt-country sound, and as mentioned, displaying much greater introspection with his lyrics.

There are still interesting audio touches.  The opening track “the Golden Age” is, on the face of it, a pretty straightforward ballad but with atmospheric washes of noise underneath.  The following track “Paper Tigers” has an almost Jean-Claude Vannier/Serge Gainsbourg vibe to its sound and string arrangements.   Strings are one of the main embellishments on the album and range from subtle backing to bombastic attack.   The mood througout is definitely sombre, with song titles like “Lost Cause” “Lonesome Tears” and “I Guess I’m doing Fine”.

The album manages to maintain its quality without a 'side B slump'.   A couple of the last few tracks "Sunday Sun" and "The Little One" kind of have hints of Chris Cornell's slanted melodic sensibilities, maybe with touches of Radiohead thrown into the mix.   Radiohead's regular collaborator Nigel Godrich produces, so one of those influences is perhaps unsurprising.

Wednesday, October 2, 2019

Day 0397 - Parallel Lines

Blondie "Parallel Lines" (1978)


I have a greatest hits by Blondie, which I enjoy... but ye gods, this album has so much more variety and interest than the hits package!

Blondie had started to develop their punky sound into more of a new-wave direction and producer Mike Chapman gave their sound more polished sheen.  Chapman took what was to be a James Brown-esque hard-funker "Heart of Glass" and giving it a disco groove.

The album has a kind of fun playfulness throughout, occasionally verging on the childish. Even the slightly menacing "one way or another" sounds like a playground threat with its "I'm gonna getcha getcha getcha".