Showing posts with label lost. Show all posts
Showing posts with label lost. Show all posts

Thursday, April 1, 2021

Day 0943 - Sea Change

Beck “Sea Change” (2002) – got it

Relationship breakups sometimes make for the best albums.  That was the case with the end of Beck’s 9-year relationship to his fiancĂ©e, after she cheated on him.  What to do when your heart has been broken by a cheatin’ woman…. Go country of course!

Beck wrote most of the songs in a week and then sat on them for a while.  He felt that the songs were too personal and that recording/releasing them would seem like airing his dirty laundry.  Not a surprising attitude for a guy who’d previously made his name laying abstract and cynical lyrics over a rapidly shifting collection of musical genres and sampled sounds.  Eventually he decided the breakup theme was universal enough to not seem too self-indulgent and recorded the songs.

‘Sea Change’ lives up to its name with Beck largely shelving his genre-splicing approach to largely stick with a ballady alt-country sound, and as mentioned, displaying much greater introspection with his lyrics.

There are still interesting audio touches.  The opening track “the Golden Age” is, on the face of it, a pretty straightforward ballad but with atmospheric washes of noise underneath.  The following track “Paper Tigers” has an almost Jean-Claude Vannier/Serge Gainsbourg vibe to its sound and string arrangements.   Strings are one of the main embellishments on the album and range from subtle backing to bombastic attack.   The mood througout is definitely sombre, with song titles like “Lost Cause” “Lonesome Tears” and “I Guess I’m doing Fine”.

The album manages to maintain its quality without a 'side B slump'.   A couple of the last few tracks "Sunday Sun" and "The Little One" kind of have hints of Chris Cornell's slanted melodic sensibilities, maybe with touches of Radiohead thrown into the mix.   Radiohead's regular collaborator Nigel Godrich produces, so one of those influences is perhaps unsurprising.

Monday, January 18, 2021

Day 0870 - The Miseducation of Lauryn Hill

Lauryn Hill “The Miseducation of Lauryn Hill” (1998)


Following the Fugee’s phenomenally successful album 'the Score', Hill helped fellow Fugee Wyclef Jean with his solo album, then started on her own.  She struck writers block but found a well of inspiration following the birth of her first child.

The resultant album is brilliant and powerful.  Hill mixes RnB, pop, hip-hop and dub but manages to make it all sit together cohesively.

After a brief school roll-call styled intro, the album hits the ground running with "Lost Ones" with Hill rapping over a sparse but funky track that kind of brings to mind the Roots for some reason.   The album almost immediately switches gears to deliver the soulful pop of "Ex-Factor".

Lauryn switches back and forth between rapping ("Final Hour" is as good a set of rhymes as any of her contemporaries) and singing (like on the beautifully harmonised "I Used to Love Him").  

To date, this appears to be the only full-length solo release from Lauryn Hill.   Quality over quantity I guess.

Saturday, September 19, 2020

Day 0748 - The Infotainment Scan

The Fall "The Infotainment Scan" (1993)


The Fall embrace electronic elements on top of the rock, noise, spoken word sound of their previous two entries in this list.

The Infotainment Scan did reasonably well, hitting no.9 in the UK charts, and it has some interesting sounds throughout, but for some reason it just didn't tickle my music-bone the way other two entries (Live at the Witch Trials and This Nation's Saving Grace) did.

Thursday, February 13, 2020

Day 0530 - Meat Puppets II

Meat Puppets "Meat Puppets II" (1983)

 
I actually saw the Meat Puppets live a few years ago at the All Tomorrow's Parties festival in the UK.  I enjoyed them, but I don't think I really appreciated it as much as I might have if I'd heard this album first.

The album was discovered by a raft of music fans in the 90s after Nirvana covered 3 tracks from it (Plateau, Oh me, and Lake of Fire) on their MTV unplugged set.  That representation didn't really do justice to the pure sprawling collection of rockabilly, psychedelia, folksy ramblings and 'alt-rock on show here.  I can also see why the music might have appealed to a 90s crowd, as they were operating on similar musical lines to Neil Young, "the Godfather of Grunge" and kind of predicting the whole grunge movement.