Showing posts with label hyde. Show all posts
Showing posts with label hyde. Show all posts

Wednesday, December 9, 2020

Day 0830 - Second Toughest in the Infants

Underworld "Second Toughest in the Infants" (1996)


Another electronic album... though I guess the genre was going through something of a renaissance at this point.    

The members of Underworld had started off playing electro pop in a couple of different bands.  Even the early incarnation of Underworld itself had been more in an electro-rock, electro-pop direction.  The band enlisted DJ Darren Emerson and moved more fully into techno/electronica, working with pulsing beats and repetitive looped musical ideas.

This approach creates the musical bed for the minimalist and again often repeated vocals.   There was a time when I didn't really dig this style of music, I preferred a constant influx of new ideas or at least some regular evolution of the main idea.   I think now I'm less able to absorb that unless I'm focussing solely on the music.   I used to be able to listen to quite complex all-over-the-show music while reading a book or writing etc, but now I find I need to give a lot more attention to my listening.   Having something that loops and repeats that I can wander in and out of has an ever increasing appeal.

Saturday, December 21, 2019

Day 0477 - The Pretenders

The Pretenders "The Pretenders" (1980)


Another of the many bands that I had heard of and really wanted to check out.  This list has made for a good motivation to get on with it.

According to what I've read, Chrissie Hynde was working as a writer for NME magazine in the UK and hanging out with Clash and Sex Pistols, even working in Malcolm McLaren and Vivienne Westwood's SEX shop in London. A few of the punkers in the area didn't think much of Hynde and her musical aspirations. It was Lemmy from Motörhead who pushed her to put her money where her mouth was and get the band going.

Some great punky stuff in here mixed with some more pop moments and even a Police-esque new-wave reggae groove to "Private Life". Hynde's voice ties it all nicely together; alternately wailing, snarling or cooing. I recognised the track 'brass in pocket'.

Interestingly Madonna listed Hynde as one of the people who really inspired her to go and make music.