Showing posts with label chambers. Show all posts
Showing posts with label chambers. Show all posts

Thursday, December 31, 2020

Day 0852 - Life Thru a Lens

Robbie Williams "Life Thru a Lens" (1997)


My sister loved this album back in the day, she had the first couple of Robbie albums on cassette (because we're getting old) and as all big brothers should do, I suspect I poo-poohed it at the time.   I've always had a bit of a soft spot for Robbie though, and a few years later when I was going through a bout of depression and was feeling like most music just seemed like a wall of grey noise I turned to Williams' greatest hits (and some Kanye West if memory serves) and that seemed to be something that my brain was willing to let in.

As far as debuts go, it is pretty damned good.   Robbie had left boy-band Take That somewhat acrimoniously and teamed up with song-writer/producer Guy Chambers, and worked to recast himself as a cheeky rock n rolling pop star.  

The album seems to lean very heavily on the 'Brit-pop' sound, with Oasisy sneery rock and bouncy Blur-esque pop.  Regardless of the influences on display though, Williams makes it his own through his charisma and voice.   Mission statement, the brassy rocker "Let me Entertain You" lays out what he's about.

It's a fairly even album too without too much filler ("Baby girl window" maybe seems like a bit of a retread of some ideas already covered), with even the overplayed ballad "Angels" seeming entirely bearable in the context of the album as a whole.   The track "Ego a go go" slagging off Robbie's ex-Take That bandmate Gary Barlow feels musically like it's drawing on the Beatles' Revolver album, the title track has a pop-punk bent to its verses. For the most part though it's about melody with a bit of grit, and Robbie having a good time (and occasionally finding himself regretting it).

Saturday, December 21, 2019

Day 0477 - The Pretenders

The Pretenders "The Pretenders" (1980)


Another of the many bands that I had heard of and really wanted to check out.  This list has made for a good motivation to get on with it.

According to what I've read, Chrissie Hynde was working as a writer for NME magazine in the UK and hanging out with Clash and Sex Pistols, even working in Malcolm McLaren and Vivienne Westwood's SEX shop in London. A few of the punkers in the area didn't think much of Hynde and her musical aspirations. It was Lemmy from Motörhead who pushed her to put her money where her mouth was and get the band going.

Some great punky stuff in here mixed with some more pop moments and even a Police-esque new-wave reggae groove to "Private Life". Hynde's voice ties it all nicely together; alternately wailing, snarling or cooing. I recognised the track 'brass in pocket'.

Interestingly Madonna listed Hynde as one of the people who really inspired her to go and make music.