Showing posts with label comes. Show all posts
Showing posts with label comes. Show all posts

Wednesday, February 17, 2021

Day 0900 - Lost Souls

It'll be interesting going into the 00s.  With the earlier albums on the list it's a lot easier to justify their place in the list based on longevity or influence on subsequent artists and genres.  I imagine the selection criteria will be less clear as it goes on.

 

0900
 

Doves "Lost Souls" (2000)


The book mentioned something about DJs/dance music so I thought I'd be listening to something in that vein.   Turns out that was Doves' previous incarnation 'Sub Sub' where they worked in the dance genre.   Their studio space burnt down, and the band lost their equipment and the music they'd been recording at the time.  The band used the insurance money to re-start and shift into a more alt-rock sound... and I like it!

They still have a bit of a dance approach to their tracks in that they seem to build a lot of the songs on repeated/looped ideas, and there's some nice production touches in place, but with more of an organic feel that dips into pop, indie, post-punk and even a touch of shoegaze.   They build up layers of sound, which is an approach that I dig.

The title track builds until it feels like a rising wave of voices rolling into shore.   "Catch the Sun" is a catchy, upbeat propulsive pop track built over a fuzzy drone.    "The man who told everything" is a more stripped down alt-rock track that brings strings and clean guitars over the choruses.   

 

Closer "A House" is an almost an alt-country track but with the sound of burning buildings fading in and out of the mix.   It's a musically adventurous and interesting album.

Not bad, 2000.  You're off to a good start.

Monday, September 23, 2019

Day 0388 - Peter Gabriel

Peter Gabriel "Peter Gabriel" (1977)

 
Gabriel's first release following his release from the perceived creative shackles of Genesis (and the first of FOUR albums simply titled "Peter Gabriel"); and he hit the ground running.  Crafting 9 diverse musical tracks, starting with a fairly theatrical piece "Moribund the Burgermeister" where he swings from his natural singing voice to a deep gravelly 'character' delivery. "Waiting on the big one" and "Here comes the flood" are deliciously epic in feel, and "Excuse me" seems stylistically like it could have been a Randy Newman-penned novelty hit.

As I've said before, this is the kind of solo album I enjoy, where the artist is willing to explore various musical terrains with only themselves to please and (in the case of a solo artist from a band) do something other than what his/her band would normally be doing.

For such an immensely talented and creative guy, he didn't come up with the most imaginative album title... though maybe he just wanted to take 'ownership' of the music that little bit more by slapping his name on it.