Day 0935 - Yankee Hotel Foxtrot

Wilco "Yankee Hotel Foxtrot" (2002) - got it

YHF was a mixture of experiences for Wilco, on the one hand parting company with their drummer, but parting with him in favour of new more versatile drummer Glen Kotche.  They were still making the "Mermaid Avenue" albums with Billy Bragg on the side.   Yankee Hotel Foxtrot ended up being rejected by their record label and the band released it online before having the chance to release it themselves the next year on a smaller label.   Regardless of its proliferation on the internet, it was their most successful release up till that point... but to add to the rollercoaster, they were also sued for the use of a sound sample used on the album.

The album title came from the phonetic alphabet used on a collection of short-wave radio recordings that singer Jeff Tweedy had heard.   There is a bit of a short-wave radio sound and a vibe of searching the airwaves to the opening track "I am Trying to Break Your Heart" (which features some great stop-start drumming) and moody, atmospheric closer "Reservations".

The album is mostly a continuation of their melodic alt-country, but the are a few different sounds, like the rocking "I'm the Man Who Loves You" with it's brass that almost has a bit of a Beatles vibe to it.   "Poor Places" is mostly Tweedy singing over a radio frequency-like drones but guitar and piano parts develop over them, building to a crescendo of song and drone.

Another album that my wife owns and that I was more than happy to listen to.

Day 0900 - Lost Souls

It'll be interesting going into the 00s.  With the earlier albums on the list it's a lot easier to justify their place in the list based on longevity or influence on subsequent artists and genres.  I imagine the selection criteria will be less clear as it goes on.

 

0900
 

Doves "Lost Souls" (2000)

The book mentioned something about DJs/dance music so I thought I'd be listening to something in that vein.   Turns out that was Doves' previous incarnation 'Sub Sub' where they worked in the dance genre.   Their studio space burnt down, and the band lost their equipment and the music they'd been recording at the time.  The band used the insurance money to re-start and shift into a more alt-rock sound... and I like it!

They still have a bit of a dance approach to their tracks in that they seem to build a lot of the songs on repeated/looped ideas, and there's some nice production touches in place, but with more of an organic feel that dips into pop, indie, post-punk and even a touch of shoegaze.   They build up layers of sound, which is an approach that I dig.

The title track builds until it feels like a rising wave of voices rolling into shore.   "Catch the Sun" is a catchy, upbeat propulsive pop track built over a fuzzy drone.    "The man who told everything" is a more stripped down alt-rock track that brings strings and clean guitars over the choruses.   

 

Closer "A House" is an almost an alt-country track but with the sound of burning buildings fading in and out of the mix.   It's a musically adventurous and interesting album.

Not bad, 2000.  You're off to a good start.

Day 0699 - Foxbase Alpha

Saint-Étienne "Foxbase Alpha" (1991) - got it

This album channels 1960s sounds through a 1990s 'filter', so it's pretty much in my wheelhouse.

The group was formed by Bob Stanley and Pete Wiggs, who had both been music writers (who says 'those who can't, write).  They'd originally planned to feature different singers across every album, but after working with Sarah Cracknell on this, their debut, they decided to invite her in as a permanent vocalist.

The album does something that I love, namely it engages in musical collage/experimentation, but uses it to create something quite accessible and poppy.   The dancey beats were akin to the sounds fermenting in the triphop scene, some of the film/dialogue samples lend things a touch of musique concrete, but the melodies and much of the arrangement hints more at summery 60s pop, with wistful female vocals and swirly psychedelic string touches.

Oddly, I've never got around to checking out the rest of their albums.  Might have to put it on the musical to-do list once I've finished the 1001.

Day 0657 - Nick of Time

Bonnie Raitt "Nick of Time" (1989)

To say that Bonnie had had a hard time of it, would be understating things slightly.  Her record company dropped her due to low sales, and (after a two year gap) released the album she'd been working on prior to being dropped, but under a completely different title.  This left Bonnie to promote an album of 2 year old material that she was no longer particularly connected to.
Her romantic relationship ended, she had to disband her backing band as she couldn't afford to pay them, and she fell into a slump of addiction and depression.

After a brief attempt to work with Prince (seems that everyone was doing that in the late 80s/early 90s) Bonnie was put together with Don Was from the group Was (Not Was) of "Walk the Dinosaur" fame.  It ended up being one of those fruitful artist/producer match-ups.  Was matched Raitt's bluesy rock and country-tinged balladry with a little pop sensibility and studio sparkle to create "Nick of Time" and its follow-up "Luck of the Draw", both of which successfully revived Bonnie's career.

Bonnie Raitt is another of those artists where I'd heard her name but had never heard any of her songs... unlike other artists on the list though, her music sounded pretty much exactly as I'd expected it would.