Day 0463 - Ace of Spades

Motörhead "Ace of Spades" (1980)

Lemmy, having been kicked out of Hawkwind for taking too much speed, went on to start a band that seems like the musical equivalent of that drug.

I quite enjoyed the band's slightly less intense self-titled debut album, but it's hard to deny the power and immediacy of the lightning fast riffage, crazed intensity and throat tearing yells of these tracks. One of the initial building blocks of metal, but also beloved by punks at the time.

Day 0462 - Crocodiles

Echo and the Bunnymen "Crocodiles" (1980)

Echo and the Bunnymen: the 80s-ness continues.

I have their album "Ocean Rain" which had a kind of atmospheric, gothic somnambulism to it and I really liked it... however, I'm glad that they sound different here, because variety is the spice of life.

This is much more a dark and jangly album with a definite post-punk  flavour, though still with hints of what their sound would become.

Day 0461 - Seventeen Seconds

The Cure "Seventeen Seconds"

The Cure are another band that I was primarily familiar with through a few singles... that I wasn't overly keen on; but this is a pretty fantastic album. Aside from the odd wailing, dramatic vocal this is a pretty low-key affair with jangling but mostly unobtrusive guitar. There are odd spots of keyboards but they're used sparingly and in such a way that they add to the music without drawing attention to themselves. In fact everyone here seems to be just doing good work to serve the songs.

I can definitely hear the influence of this band on artists like early REM, a lot of 00s indie rockers, and even the early demos of the Smashing Pumpkins bear a startling resemblance to this collection of songs.

Day 0460 - Underwater Moonlight

The Soft Boys "Underwater Moonlight" (1980)

The Soft Boys were actually recommended to me a few short years back by a friend who was really vibing on them. Pretty sure that this was the album he recommended to me.

Despite the fact that this reeks of late stage punk with encroaching post-punk sounds; this album puts me in mind of the Beatles.  The melodies, the dalliances with psychedelia and just some general overall 'tone' to their sound... so yeah, for me, Beatles = good.

Day 0459 - Peter Gabriel III (AKA "Melt")

Peter Gabriel "Peter Gabriel III" (AKA "Melt") (1980)

 
Gabriel was well clear of his Genesis 'Prog' sound, and with his first two relatively quirky and eccentric solo albums also behind him, he seemed content to settle into a groove as a purveyor of interesting and innovative art pop-rock in the vein of Berlin-Bowie and Brian Eno. He even uses Eno-regular Robert Fripp on guitar, along with his Genesis bandmate (and vocal replacement) Phil Collins.

PG experiments with world music (sampling African chants for one song) and new technology, playing around with drum machines, and studio trickery to produce an album that seems a collision of human with machine.

Day 0458 - Fresh Fruit for Rotting Vegetables

Dead Kennedys "Fresh Fruit for Rotting Vegetables" (1980) - got it

Contender for best punk album of all time, in my opinion... shockingly this was my first (second and third) time listening to this album from start to finish.

It combines everything that can be good about punk: there's anger and vitriol, but tempered with a sense of humour.  Blisteringly fast-paced music (but played with tight musicianship) that takes some sideways detours in places. Instead of being macho and body-slamming, or agro in vaguely white supremacist manner like some of their hardcore contemporaries; this music is almost spidery and angular with the bass overruling the guitar in a lot of places.

Jello Biafra's vocals sounds wild, frantic and slightly crazy but when you actually listen to him, you see that he's one of the smarter, more eloquent spokesmen for punk.

I was actually familiar with a lot of the songs, in part because I've heard several of them covered by other bands... always a good sign.

As you can see from the above - I have since picked up a copy of this one.

Day 0457 - Songs the Lord Taught Us

The Cramps "Songs the Lord Taught Us" (1980)

Another band where I'd heard the name but wasn't really familiar with the music... I assumed punk, based on the name and era. There is some punk here, but the band also digs deep into rockabilly, surf music and even b-movie soundtracks. The b-movie theme extends out to the lyrics with songs such as "I was a teenage werewolf" and "Zombie Dance".

The vocals are pleading, snarling and desperate, the music ranging from bare and unvarnished to drenched in reverb - as the song dictates/requires.

In places this album has a guttural rockabilly that sounds like it would fit nicely into Nick Cave's early oeuvre with the Birthday Party and early Bad Seeds.

Unfortunately the album, though critically acclaimed, was commercial disappointment. When the band went out to tour it, their guitarist Bryan Gregory drove off with a van full of their gear which he sold to help fuel his drug addiction. The band never saw him again until years later.