Peter Gabriel "Peter Gabriel III" (AKA "Melt") (1980)
Gabriel was well clear of his Genesis 'Prog' sound, and with his first
two relatively quirky and eccentric solo albums also behind him, he
seemed content to settle into a groove as a purveyor of interesting and
innovative art pop-rock in the vein of Berlin-Bowie and Brian Eno. He
even uses Eno-regular Robert Fripp on guitar, along with his Genesis
bandmate (and vocal replacement) Phil Collins.
PG experiments with world music (sampling African chants for one song)
and new technology, playing around with drum machines, and studio
trickery to produce an album that seems a collision of human with machine.
Showing posts with label lillywhite. Show all posts
Showing posts with label lillywhite. Show all posts
Tuesday, December 3, 2019
Thursday, October 31, 2019
Day 0426 - The Scream
Siouxsie and the Banshees "The Scream" (1978)
Another one of those ones where I knew the band's name well but couldn't tell you if I'd heard any of their music (though I feel like I buzzed through some youtube clips a few years back).
This is alright, but I wouldn't say that I'm in love with the band just yet. It's an okay album that mixes the rawness and lo-fi recording style of punk with a doomier wailing goth flavour. Pounding drums and buoyant bass are overlaid with guitar that goes between punky rock and proto-shoegaze.
Another one of those ones where I knew the band's name well but couldn't tell you if I'd heard any of their music (though I feel like I buzzed through some youtube clips a few years back).
This is alright, but I wouldn't say that I'm in love with the band just yet. It's an okay album that mixes the rawness and lo-fi recording style of punk with a doomier wailing goth flavour. Pounding drums and buoyant bass are overlaid with guitar that goes between punky rock and proto-shoegaze.
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