Metallica "Metallica (AKA The Black Album)" (1992) - got it
Metallica’s greatest album, or “the one where they sold out” depending on where you hang your hat.
Metallica had started off playing sweaty, dirty punk-metal, a genre that
came to be known as ‘thrash’. The intensity of punk, but the heaviness
and musicianship of metal. The band had been evolving on each album,
with arrangements becoming more and more intricate and harmonically
interesting, with many different riffs, time changes and the songs
building in length. This all came to a head with “…and Justice For All”
where the songs were generally all around the 7-10 minute mark with a
multitude of riffs. The band found the songs hard going while playing
them live, and even started to notice some of the fans in the audience
noticeably losing interest during the duration.
Enter “Metallica (the Black Album)”, the band enlisted producer Bob
Rock, impressed with his work on Motley Crue’s Dr Feelgood album with
it’s crunchy-yet-polished sound. With Rock’s help, the band simplified
their songs, basing them around one or two riffs, (instead of 15!) The
band slowed most of their songs down, using more of a ‘groove-metal’
approach, fusing heaviness with a greater degree of melody and
atmosphere than had maybe been present before.
While some felt Rock’s production sound was too polished, I feel it adds
a bit of much needed bottom-end to ‘tallica’s sound. Jason Newsted’s
bass is audible after being MIA on “…and Justice”. He doesn’t have the
nimble-fingered virtuosity of previous bassist Cliff Burton, but his
solid, chunky sound suits the groove of the new music nicely.
There are still some speedy riffs that wouldn't be out of place on their
80s albums. Songs like “Holier than thou”, “Through the Never” race
along at a rate of knots. Elsewhere, songs such as “Wherever I may
roam” and “Sad but true” have a slower, more epic bent.
The album was a massive success, going multi-platinum and (to date)
spending more than 500 weeks in the billboard 200. With the polished
sound, simpler songs, music videos, and the occasional (gasp!) ballad -
the beautifully simplistic “Nothing Else Matters” – this album would
also cause one of the biggest divides between Metallica fans until the
next album where they (Gasp! Again) cut their hair.
Showing posts with label wolf. Show all posts
Showing posts with label wolf. Show all posts
Sunday, August 9, 2020
Tuesday, January 28, 2020
Day 0514 - Rio
Duran Duran "Rio" (1982)
Perhaps the band that most typified the vibe of the 80s pop scene: synth-heavy new-romanticism with a touch of white-boy funk; glossy, high-production music videos in high rotation on MTV, depicting the band as sophisticated, jet-setting young men with the world at their feet.
I have a Duran Duran greatest hits album and half of these tracks are on it, which to my mind suggests that this is a solid album. I would say that something like "Save a prayer" even though it's steeped in 80s-ness still sounds quite contemporary. Likewise, the last track "The Chauffeur" is a nice gradual piece that wouldn't sound out of place on the radio today.
Perhaps the band that most typified the vibe of the 80s pop scene: synth-heavy new-romanticism with a touch of white-boy funk; glossy, high-production music videos in high rotation on MTV, depicting the band as sophisticated, jet-setting young men with the world at their feet.
I have a Duran Duran greatest hits album and half of these tracks are on it, which to my mind suggests that this is a solid album. I would say that something like "Save a prayer" even though it's steeped in 80s-ness still sounds quite contemporary. Likewise, the last track "The Chauffeur" is a nice gradual piece that wouldn't sound out of place on the radio today.
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