Showing posts with label timbaland. Show all posts
Showing posts with label timbaland. Show all posts

Tuesday, April 13, 2021

Day 0955 - Cee-lo Green...is the Soul Machine

Cee-lo Green "Cee-lo Green...is the Soul Machine" (2004) - got it

Like a few people, I was introduced to the immense talents of Cee-lo Green via his duo Gnarls Barkley, also featuring producer Danger Mouse. 

I immediately began investigating the back-catalogues of both members and discovered Cee-lo's solo albums.  "...Soul Machine" is a heavyweight of an album.   The last track on the album asks "Damn 'lo, what DON'T you do!" and it's an appropriate question as Green mixes speedy, clever raps in "Childz Play", electronic/dance elements in "I am Selling Soul" and beautiful singing in "Let's Stay Together".  There's jazz in "Living Again" and huge stacked vocal harmonies in "Soul Machine".

The album is possibly a tad long, and do prefer Cee-lo's next solo release "The Lady Killer" where he leaned on his singing/soul side a little more.   But as with all of his material, this one has some great backing tracks, huge vocals and clever lyrics.

Saturday, April 3, 2021

Day 0945 - Under Construction

Missy Elliott "Under Construction" (2002)


Missy continued her collaboration with Timbaland, bringing a lot of classic hip-hop sounds into the mix and reminiscing on the 'good old days' a bit with "Back in the Day" featuring Jay Z.   

The album has a few guests and collaborators, but Missy easily rules the roost.   Ludacris guests on "Gossip Folks" but Missy again is the centre of attention, completely changing her vocal style for the track and still busting some great rhymes.

Single "Work it" has a fairly simple arrangement of skeletal beat and synthline with a synthy hook that swings in now and then.  Most its appeal then comes again from Missy's vocals.  She manages to make a dirty-as song where half of it dances around its subject, but you know exactly what she's talking about.   Sound effects and clever use of reverse sounds complete the picture.

Beyonce shows up on "Nothing Out There for Me" one of the albums more melodic moments.   

The spoken word parts at the start and end of the album could easily have come across as a bit cheesy, but again Missy manages to make them work.  The opening speech reflects the World Trade Centre attacks and show that (thinking back a few entries to Bruce Springsteen) this was a hurt being felt by artists across a range of genres.

Friday, March 19, 2021

Day 0930 - The Blueprint

Jay Z "The Blueprint" (2001)


It could almost be seen as overcoming adversity, Jay Z had court cases pending against him (though when has that harmed a rappers rep?), he had several high profile beefs underway (though, again....) and his album was released on September 11th 2001, leading to some of his earlier shows needing to be rescheduled.

That aside, this album helped launch the career of producers Kanye West (for better or worse) and was critically lauded.

While I enjoyed some of Jay's rhymes and I could hear the influence of this album on the next decade or so of mainstream hip-hop albums, I don't think it's really converted me into a Jay Z 'fan' as such (apologies if this is hip-hop heresy).

Saturday, December 19, 2020

Day 0840 - Supa Dupa Fly

Missy Elliott "Supa Dupa Fly"(1997)


Another musical 'lifer', Missy had been performing since she was a child, then formed a musical group called Fayze (later 'Sista').   She recruited her friend Timothy Mosley AKA Timbaland to help them get some demos together.

They caught the attention of a member of the group Jodeci who got them on board to work on music for Jodeci while they also worked on their own material and songs for other artists including superstar Aaliyah.

Puffy Daddy/Diddy tried to sign Elliott to his Bad Boy label, but she took control of her own destiny and created her own imprint 'Goldmind Records' to release her debut and (as with her future records) got Timbaland on board for production duties.

It's not hard to see why Missy Elliott was lauded as revitalising hip hop.  Entering what was primarily a male-dominated and often misogynistic genre; taking on writing, producing, rapping and singing, and bringing fresh, sparse arrangements, and well placed (though again, not cluttered) rhymes.   Single "The Rain" is probably my favourite track.