Talking Heads "Remain in Light" (1980) - got it
David Byrne was suffering a case of writers block so looked to build up
some minimalist jams, often around just one or two chords. The band
brought in influences from funk, to afro-beat, to electronica and Byrne
helped craft the jams into functional songs.
Following the 'Fear of music' tour, the band had taken time off to
pursue other interests. Byrne and 'Remain in light' producer Brian Eno
recorded the "My life in the bush of ghosts" album. Jerry Harrison
produced an album for a soul singer. The married rhythm section of
Tina Weymouth and Chris Franz headed to the Caribbean to hang out with
famed reggae rhythm section Sly and Robbie. The two mulled over the
idea of leaving Talking Heads due to Byrne's controlling nature.
Eno too had questioned coming back as producer after his previous two
albums with the Heads... so it wasn't really a happy working
environment. As it was, Eno didn't produce the next album ("Speaking in tongues") and a few year's later
the band's inner turmoil became insurmountable and they broke up. It's
probably telling that while many acrimoniously split groups have
reformed throughout the years, the Heads (aside from a Rock n Roll Hall
of Fame appearance) have avoided reuniting.
For all the friction in its making, the album produced some great songs,
including one of TH's most known tracks "Once in a lifetime".
Showing posts with label talking. Show all posts
Showing posts with label talking. Show all posts
Wednesday, December 11, 2019
Saturday, November 9, 2019
Day 0435 - Fear of Music
Talking Heads "Fear of Music" (1979)
Hmm, another Talking Heads album that I don't own. This one is really interesting, Eno's influence seems to be creeping in even more than on 'More songs about buildings and food' with additional sonic trickery.
David Byrne took the nervous energy and anxiety that popped up in places on the first two albums and just smeared it all over the songs here. Even the serene 'Heaven' (rendered as an ethereal ballad by Icehouse) has a slightly cynical and bleak feel to it.
Eno tweaks the sounds made by the band as well as increasing the nervous energy by throwing plenty of extra little unsettling bleeps and bloops into the mix.
Hmm, another Talking Heads album that I don't own. This one is really interesting, Eno's influence seems to be creeping in even more than on 'More songs about buildings and food' with additional sonic trickery.
David Byrne took the nervous energy and anxiety that popped up in places on the first two albums and just smeared it all over the songs here. Even the serene 'Heaven' (rendered as an ethereal ballad by Icehouse) has a slightly cynical and bleak feel to it.
Eno tweaks the sounds made by the band as well as increasing the nervous energy by throwing plenty of extra little unsettling bleeps and bloops into the mix.
Friday, October 18, 2019
Day 0413 - More Songs About Buildings and Food
Talking Heads "More Songs About Buildings and Food" 1978 - got it
Brian Eno joins the Heads in the studio, bringing his gift of mixing pop with new and interesting production ideas, starting a creative partnership that would help produce some great TH albums, but would also see fractures appear in the group.
The band mixes its skittish brand of art-rock with touches of scratchy funk and danceable disco beats, creating a sound that would be ripped off wholesale (though done very well) by Franz Ferdinand some 25-30 years later.
Byrne sounds like he's recording some of his vocals after drinking several pots of coffee, just a nervous gangly energy to what he's doing.
The husband-and-wife rhythm section of Chris Frantz and Tina Weymouth lay down some tight grooves over a mix of styles.
The second-to-last track is a cool-down. A fairly sedate reading of Al Green's "Take me to the river" that has become a bit of a classic rock radio staple (or at least it has over here).
Brian Eno joins the Heads in the studio, bringing his gift of mixing pop with new and interesting production ideas, starting a creative partnership that would help produce some great TH albums, but would also see fractures appear in the group.
The band mixes its skittish brand of art-rock with touches of scratchy funk and danceable disco beats, creating a sound that would be ripped off wholesale (though done very well) by Franz Ferdinand some 25-30 years later.
Byrne sounds like he's recording some of his vocals after drinking several pots of coffee, just a nervous gangly energy to what he's doing.
The husband-and-wife rhythm section of Chris Frantz and Tina Weymouth lay down some tight grooves over a mix of styles.
The second-to-last track is a cool-down. A fairly sedate reading of Al Green's "Take me to the river" that has become a bit of a classic rock radio staple (or at least it has over here).
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