Showing posts with label synthesizer. Show all posts
Showing posts with label synthesizer. Show all posts

Thursday, September 5, 2019

Day 0370 - Trans-Europe Express


Kraftwerk "Trans-Europe Express" (1977) got it



 
I'm actually reading about Kraftwerk and their ideas (among other things) at the moment in a brilliant book called 'Culture club'.  A few critics initially found it hard to accept their 'robot music' and the move of purposely removing the emotional/human component of their music... an anathema for a lot of pop and rock artists and musicians in general.

They fold in elements of musical loops, musique concrete, and signpost the rise of the role of machines in music (electronica etc).  This vibe was picked up by DJs who sampled the group's robotic sounds.

Great album that manages to its machine-like frame in a modicum of mood and melody.

Thursday, August 29, 2019

Day 0363 - Oxygene

Jean Michel Jarre "Oxygene" (1976)


Hadn't heard this one before; I don't have much to say about it either.  Similar sort of sounds to 'Equinoxe', enjoyable synthy soundscapes; sometimes trippy and spacey, sometimes ethereal and bloopy, and sometimes just quite clean and businesslike.

Wednesday, May 22, 2019

Day 0264 - Roxy Music

Roxy Music "Roxy Music" (1972) - got it

 
Roxy Music are almost textbook case of the "strong personalities making interesting music until some of those personalities departs and the other/s take over" thing.

The clash of 50s-style rock n roll mixed with glam, a little punk, a smattering of horns, and Brian Eno's space-aged synth noises is an exciting musical smack in the face!  Eno left early on (I think after the first or second album) and by the time they released "Avalon" half the band had left and Bryan Ferry ruled the roost.  Avalon didn't really match the early material (though having said that 'More than this' is a brilliant tune).

Back to the debut though: it is a bold, brash musical statement which is the opposite of that "Oh I don't want to stand out, I just want to 'serve the song'" idea that mediocres so much music.  The first track even makes space for each member to show off with a bar or two of solo.  The music twists and turns, with Ferry still learning his craft as a singer and lyricist, seeming to have a unique, more defined vocal delivery than in later albums (the reverse of what normally happens).

Oddly my relationship with this band/album started somewhat indirectly when I read about them as an influence on one of my favourite NZ bands Split Enz (who, like RM started in an art rock sort of vein and moved to a slightly poppier sound later on), and when I saw a cover of the song 'Virginia Plain' on the British sketch show "Big Train" (an early break for Simon Pegg, Catherine Tate and Mark Heap) I was hooked in.