Showing posts with label should. Show all posts
Showing posts with label should. Show all posts

Monday, March 23, 2020

Day 0568 - Master of Puppets

Metallica "Master of Puppets" (1986) - got it


I actually got into Metallica through their later (90s) material, particularly the two LOAD albums, so I tend to go back and forth on what I find to be their best work/era.

This is most likely their definitive musical statement though.  The band had been steadily developing and refining their sound over the preceding two albums.  This album follows the pattern of most of their 80s albums: first track has a mellow intro that crashes into a speedy thrash riff, the second track is a monster title-track, track 4 is the ballad/mellow song, and the last two tracks are an instrumental and a hard-n-fast thrash track.

The band is firing on all cylinders for this album, with all 4 members contributing to the songwriting and arrangement, and all taking time to solo or showcase their chops.  Even the oft-mocked drumming of Lars Ulrich is tight and effective here.

The songs move between straight-ahead, fast thrash, to more complex, densely harmonic (almost classical) arrangements in songs like the title track, and the instrumental "Orion", this latter largely composed by Cliff Burton and featuring some stellar bass soloing from him.

Burton died in a bus accident while touring for this album.  The band would seek a more uniform sound in their follow-up "...and Justice For All".  They would simplify their sound for their 90s albums, then meander for a while before finding their way back to attempt to recreate their 80s masterpieces... but with mixed results.  While their 90s albums were successful and enjoyable, they don't reach the same heights of collaboration, and ambition as Master of Puppets.

Saturday, June 8, 2019

Day 0281 - Let's Get it On

Marvin Gaye "Let's Get it on" (1973) - got it


Marvin follows up his hugely successful, deeply political "What's Goin' On" with his deeply sexual "Let's Get it On".

Though the politics had gone, this is still not a totally laid-back affair, with Marvin at times desperate and pleading in his desire.  This albums has elements of the 'song suite' approach that Marvin had used on his previous album and would use again on 'Here My Dear'; but unlike the previous release, he doesn't reuse the same musical ideas/themes quite as much, there's a bit more variety, with the Get it On theme only reappearing later in the album.

I read a semi-autobiography on Gaye a while back, and apparently the woman who would go on to be his next wife walked into the studio just before he recorded the title track.  One of his musicians said that with her in the room, his vocals went from 80% to 100%!  That genuine lust and need (along with some loose, burning seductive grooves and slinky bass-lines) make this a benchmark bedroom album.