Day 0771 - Parklife

Blur “Parklife” (1994) – got it

Blur were feeling reinvigorated following the release of their second album “Modern Life is Rubbish”.  It hadn’t broken records with its sale figures, but was critically well received and the band felt they were on the right track.  As soon as they’d finished that record, singer Damon Albarn started writing a large number of songs and the band worked at demoing them.  They got back in the studio with producer Stephen Street as soon as they could, and most of the album was recorded fairly quickly.

Aside from the opening track “Girls and Boys” which has a bit of a European dance/disco vibe to it, and one or two of the more grand tracks like “To the End”, this album is British through and through.  In fact even "Girls and Boys starts" with a line about “following the herd to Greece on holiday”, sounding like the start of episode of “Boozed up Brits Abroad”.   

The Britishness continues with the “oi oi oi” punky rock of “Bank Holiday”, the brass band waltz of instrumental “the Debt Collector” (as well as brassy bass embellishments on the title track and rocking "Jubilee"), the pastoral harpsicord of “Clover over Dover” and of course Albarn’s almost aggressively cockney/mockney accent pushing into the songs.  Even bassist Alex James' composition "Far Out" sounds like it would be at home in a 1960s Pink Floyd club gig in swinging London.

It's a brilliant album (if maybe a track or so too long).  They do copy Modern Life a bit with the overall sound and having a couple of fun instrumental 'interludes', but with "Girls and Boys" and the loungey stylings of "To the end" they were definitely forging new ground.

Day 0384 - Heroes

David Bowie ""Heroes"" (1977)

A continuation of Bowie's 'Berlin Trilogy' (started with "Low") and another mix of avant-pop and atmospheric instrumentals.  While the songs on the first half are musically busy, vocally Bowie engages in some melodic minimalism.  I mean the title track vocal melody largely sits between two notes while the music gives it mood and context. "Sons of the silent age" is a bit more exploratory.

The instrumental tracks move even further into Eno/Krautrock territory and away from Bowie-the-popstar, with no obvious vocal tracks (lyrical or otherwise) featured.

Day 0372 - Exodus

Bob Marley and the Wailers "Exodus" (1977) - got it

A bit of a change from my usual "all reggae sounds the same" spiel.  Though there are a few familiar reggae musical devices here; there is also a healthy dose of variety, with everything from scratchy organic reggae through to soul, pop and proto-disco elements finding their way into the mix.

While songs like "One love", "Jamming" and "Three little birds" are definitely reggae, they are also pretty solid pop songs.  Bob does a good job of balancing his political messages with some more universal messages.

It's a surprisingly upbeat record considering that Marley had recently relocated to England after a gunman injured him and his wife in their home during a murder attempt.