Showing posts with label lines. Show all posts
Showing posts with label lines. Show all posts

Friday, February 19, 2021

Day 0902 - Heartbreaker

Ryan Adams "Heartbreaker" (2000)


I've never had a huge urge to check out Ryan Adams.  Not sure why, I think I heard a song or two back in the day that I didn't care for, then heard stories about him being a bit of a dick (not that that necessarily makes for bad music) so didn't really feel the motivation.

After the breakup of his alt-country group Whiskeytown, Adams teamed up with country/Americana artists Gillian Welch and David Rawlings to work on his solo album.

The album was actually pretty good.  It's mostly alt-country with a bit of a Bob Dylan vibe in places (drawling vocal, harmonica and acoustic guitars).   The opening track is wasted on a discussion about which album a particular Morrissey song is on... not exactly going to stand up to re-listens that one.  

After that it bursts into an ambitious rockabilly track "To be young (is to be sad, is to be high) which breaks into more melodic passages.  "Amy" is a gorgeous 60s flavoured ballad that wouldn't be out of place on a later era Beatles album.   "Oh my sweet Carolina" is a smouldering country ballad with guest vocals by Emmylou Harris, whose album "Red Dirt Girl" shows up shortly in this list.  "Bartering Lines" almost has that atmospheric T-Bone Burnett production to it and some lovely vocal harmonies.

Perfectly listenable, and I'd be more than happy to check out further Adams albums based on this.

Saturday, May 16, 2020

Day 0622 - Tracy Chapman

Tracy Chapman "Tracy Chapman" (1988)


Chapman was introduced to the media at the time when they were invited to a showcase by Natalie Merchant from 10,000 Maniacs.   Tracy also played at this showcase, and by all accounts, she impressed.   Once she had recorded this debut album, she was given a chance to play a concert for Nelson Mandela's 70th birthday which further helped to get her music quickly out in the public eye/ear.

It's a pretty strong selection of songs.  To my tastes, it works best when the band/studio side of things is pared back, leaving the songs to rely more on Chapman's guitar and voice (or just her voice in the case of the effective acapella track "Behind the Wall").

The songs range from passionate folk and protests to more country sounds and just overall really good 'singer-songrwriter' stuff.