Day 0597 - Locust Abortion Technician

Butthole Surfers "Locust Abortion Technician"

Music-wise I used to think of the 80s as all glam and synthesisers.  I was also very aware of the thrash metal thing (having been a fan of Metallica and Slayer), but I mostly forgot, or didn't know about some of the interesting boundary pushing bands that were active then.  I mean, I was aware of Butthole Surfers and Sonic Youth, but I'd associated them more with the 90s.

This is the Surfers' third album, and the first with bassist Jeff Pinkus (who has also played on Melvins albums, including the appropriately titled "Pinkus Abortion Technician").  The album also marks the first appearance of singer Gibby Haynes' "Gibbytronix" device which he used to manipulate and distort his voice to create a number of weird and wonderful sounds.

There is the straight-ahead punk of "Human Canonball" and the world music-meets-puerile-humour "Kuntz", but other than that, the album is generally a some of the noisiest, most deconstructed rock you're likely to hear anytime soon.  The album closes with a chorus of mooing cows on "22 going on 23".

Day 0576 - Reign in Blood

Slayer "Reign in Blood" (1986) - got it

 
An album that kicks off with a punishing blizzard of guitars and cymbals, and (after an unsettling high-pitched yell) leads off with the lyrics:

"Auschwitz, the meaning of death, the way that I want you to die"

certainly made it difficult to ignore Slayer.  Though that opening track "Angel of Death" would lead them to have to continually reiterate in interviews that they did not support nazi ideals.

The album combines the stripped-down, unrelenting aggression of hardcore punk with the musicality and 'menace' of the nascent 'heavy metal' to create one of the early cornerstones of thrash metal.

Tom Araya's aggressive and fairly tuneless vocal yell means that the riffs can go where they want without clashing too much with his voice.  Though it has to be said that the little melody that is in the guitar parts is pulverised by speed and distortion with the focus being more on the rhythm than melody.

Some flashy lead guitar work on show, but the real (background) star of the album is Dave Lombardo who, with his inventive, unrelenting drumming can (even now) outplay most other drummers in his genre.  His playing has elements of jazz, punk, metal and more.

Day 0529 - Synchronicity

The Police "Synchronicity" (1983) - got it

 The Police were more or less sick of each other by this point, recording their parts in separate rooms of the studio, and even being symbolically 'separated' on the album cover.

The music seemed to be separating and stretching to the four corners too, with less of their reggae sounds, increased synthesizer presence, and touches of world music.   Sting's songs were sounding more and more like the de-clawed pop that he'd perfect later on.  He and drummer Stewart Copeland nearly fought aggressively because Sting wanted some simple, straight-ahead drumming on "Every breath you take" and Copeland wanted to do his thing (which he would go on to do to great effect in the band Oysterhead with members of Primus and Phish).

Andy Summers' two tracks are possibly among the more interesting: "mother" is a demented ode to the most important woman in his life, and 'Murder by numbers' is my favourite track on the album and (to my mind) the best mesh of the pop and experimental sides of the band's sound.

The band split after one last tour and, though they reunited for a series of shows, never rekindled their spark enough to want to record together again.

Day 0445 - Entertainment

Gang of Four "Entertainment!" (1979)

 
A band from (my one-time home) Leeds named after a group of Chinese Communist Party officials... hinting at the band's left-wing sympathies.

Another one of those bands that mixes the attitude and melodic minimalism of punk with a bit of white-boy funk (though here the funk element seems to have been ramped up considerably). Another of those bands that most likely stylistically inspired some of the early 00 indie rock bands like Bloc Party or Gossip.

Listening to the angular funk sounds here, I wouldn't be surprised if the Gang were listened to by Les Claypool or his band Primus.  They were certainly an influence on the Red Hot Chili Peppers, who drafted the Gang's guitarist Andy Gill to produce their first (self titled) album on the basis of the "Entertainment!" album.

Day 0274 - Larks' Tongues in Aspic

King Crimson "Larks' Tongues in Aspic" (1973)

What the hell did I just listen to? ...so much musical excess!

The opening (title) track is a journey from tinkling finger cymbals through various musical movements including some fantastic bass work.  Bass seems to be a featured instrument in many of the prog-rock albums I've listened to so far on the list.

This first track gives way to more mellow songs.  There's the delicate and beautiful "Book of Saturday", with it's graceful violin and backwards guitar duet; the proggy ballad of 'Exiles'; the rock riffs of 'Easy Money'; and again the proggy excesses of 'The Talking Drum' and the second part of the title track.

Brilliant album.

Day 0152 - From Elvis in Memphis

Elvis Presley "From Elvis in Memphis" (1969)

 
Elvis had been sinking a bit of time into making his movies.  He got back into the music thing with a TV special that was hugely popular and revitalised him and inspired him to get back into the studio. He went down to Memphis and unlike Dusty (in yesterday's post) he apparently had a laid back and enjoyable recording experience, dipping back into the RnB sound that worked so well for him in the past.

Another success, and some great tracks.  You can kind of hear the start of the added cheese that would segue the King into his sequinned disco suits and Vegas residencies.

Day 0025 - Elvis is Back!

Elvis Presley "Elvis is Back" (1960)  - got it

Oh yeah, still the king.

Elvis was back after 2 years in the army, and RCA were itching to get him in the recording studio as soon as possible.  Colonel Tom tried to hold off to negotiate a really good deal, but for once, he didn't get his way.

Elvis was reunited with a bunch of musicians he'd worked with on his early albums and they very quickly churned out this 'comeback' album.  It's almost like the essence of Elvis distilled: you get his raunchy 'sexual' (for the time) sound, his 'soda-pop at the diner' style of pop, his sense of fun, his sensitive ballad crooning and the smooth warm vocal on "Fever" gives me funny feelings in my tummy.

I know that the Beatles often get credited as the artist that really opened things up as far as mixing sounds/genres, but Elvis got in a little ahead of them here.

Day 0002 - Elvis Presley

Elvis Presley "Elvis Presley" (1956) got it

With some of these early albums by famous artists, I almost expect them to be a bit 'meh'.  It seems like they'll sound dated (especially with this album being recorded in different studios, years apart with many of the songs coming from Elvis' early sessions at Sun) or maybe a bit embryonic with the artist still finding their feet... but this album still sounds fresh, and vital right from the off.  From the jocular swagger of "one sided love affair" to the sweet and gentle rendition of "Blue Moon".

Whenever I listen to this album I feel like "yeah, I can see why he's referred to as 'the king'."
The music is accompanied by an appropriately lively album cover that would later by referenced by the Clash for 'London Calling'

Apparently this was the first rock n roll recording to enter the billboard charts... and so that whole thing began.