Day 0820 - Being There

Wilco "Being There" (1996)

Following the dissolution of his band Uncle Tupelo, Jeff Tweedy and the majority of his bandmates formed the new band Wilco.

 

Initially Wiclo carried on Uncle Tupelo's alt-country sound, but with this, their second album they branched out, both stylistically (genres) and sonically (production).   The opening track "Misunderstood" mixes mellow piano with loud, fuzzy guitar... kind of starting off by letting you know that this is going to be a different kettle of fish.  There is brash rock in "Monday" which, with its bluesy rock and sassy horns doesn't sound a million miles from the Rolling Stones.  

The album is not without its alt-country tracks though.  "What's the world got in store" is a nice bit of banjo heavy balladry.   "Red-eyed and blue" is a beautiful song with almost a sort of jazzy undertone to its mellow country.  The bridge features an atmospheric roomy sounding whistle solo (love a good a whistle solo).  

The penultimate track "The lonely 1" starts with lush strings, letting you think that the album will end on a gentle emotive tack, until the closing track "Dreamer in my Dreams" comes crashing in with its raunchy honky tonk and rocks you out to the close.

A double album and probably a bit long for me, but another one where there no songs I actively disliked and I could happily listen to this in bits and pieces (my wife has a few Wilco albums so this one might even be around the house somewhere).   Actually it'd probably be quite a good road-trip album with its mix of reflective and rocking tracks.

Day 0267 - The Rise and fall of Ziggy Stardust and the Spiders from Mars

David Bowie "The Rise and fall of Ziggy Stardust and the Spiders from Mars" (1972) - got it

As with a few of the albums on the list, I didn't really need to listen to this one specifically for the 1001 albums thing, because it's indelibly printed on my synapses.  Having said that... I'll take any excuse to listen to some Bowie.

It's a lush, interesting, and immaculately crafted pop album.  All the more impressive that (aside from some sax and trumpet) it is pretty much just the standard "drums, bass, guitar, piano/keyboard and vocals".  Speaking of the vocals, they do really feel like they help to flesh out the arrangements.  Much of the shift from 'intimate' to 'grandiose' that comes when the choruses of "Starman" kick in comes from Bowie swinging between octaves in best "Somewhere over the rainbow" fashion.

Bowie's voice is sometimes gentle and confessional, sometimes brash and glammy, occasionally desperate and howling.  'Five years' has an almost Marlene Dietrich feel to it.  There's the gospel feel of 'It ain't easy', and 'Rock n roll suicide' might be the most perfect album closer ever conceived, going from a burnt out acoustic jam and building to a cathartic crescendo.

With the quality of music, it's no wonder that this album was a success in the US and UK, and lednew fans back to "Hunky Dory" and other previous releases.

Bowie reinvented himself and, with his androgynous alien persona, reinvented the idea of what a rock star could be. The black and white photo tinted after the fact just adds to the sci-fi/alien vibe that Bowie is putting out.