Showing posts with label jill. Show all posts
Showing posts with label jill. Show all posts

Saturday, April 24, 2021

Day 0966 - Food & Liquor

Lupe Fiasco "Food & Liquor" (2006)


Lupe had grown up with parents who exposed him to a range of experiences and knowledge.   This, juxtaposed with the experience of growing up in a dangerous neighbourhood helped shape his music and world-view.

After a deal with Arista records fell through, Jay Z helped Lupe land a contract with Atlantic and get started on his debut album.   Lupe explained that the title was in reference to the 'food and liquor' stores that could be found all around his neighbourhood and other similar hoods.   He stated that it represented the balance of the two sides of people.   Food was the good, but liquor (with Lupe being a Muslim) represented the evil.

While the album starts and ends in meandering fashion ("Intro" and the 12-minute long "Outro") the rest of it is interesting stuff.

"Kick Push" almost has a Dan the Automator feel with its retro cinematic swells of strings and horns, but actually backing quite a sweet story about skating romance.   It's cleverly juxtaposed later on by "Kick Push II" which focuses on the street drug trade.

"The Instrumental" starts off almost sounding like the quiet part of a nu-metal track... which is not surprising when I then see it's produced by Mike Shinoda from Linkin Park.  It does have a good groove to it though with interesting production sound, little swells of strings popping up among guitar loop and keyboard parts.

"Pressure" (feat. Jay Z) has a 70s funk and rock backing. "He Say, She Say" is glorious strings.  "I Gotcha" has a jazzy keyboard part to it.

Another of those hip-hop albums that (at 72+ minutes) could possibly have stood to lose a track or two, but other than that, I dug this.

Thursday, April 30, 2020

Day 0606 - Calenture

The Triffids "Calenture" (1987)


I had heard the Triffids' name but had no real idea of what they'd sound like.  This album is almost indie-meets-gospel.  It has a really raw, soulful feel that is admittedly curtailed somewhat by the amount of studio sheen heaped on it.

The musical style, combined with David McComb's deep and declamatory vocal delivery make the music sound like a more upbeat take on early-mid era Nick Cave and the Bad Seeds.  Not surprising then that bass-player Martyn Casey would later go on to play in the Bad Seeds.

Definitely enjoyed this and will keep it in mind for further investigation at a later date.