Day 0904 - Sincere

M.J. Cole "Sincere" (2000)

 

Cole was classically trained in oboe and piano.  He got a job as a tape operator and sound engineer for a drum and bass label which fuelled a love for electronic music.

I was kind of surprised at first.  I'd read something about him being into garage so I'd assumed it was garage-rock as that genre was due to become big in the next few years; instead it was the electronic genre of garage  ...I guess it makes sense.  You have house music, why wouldn't you have garage music?  I'm sure the garden shed music is just around the corner.

To my electronica layman's ears this sounds like interesting enough electronic music with touches of pop and soul, but nothing I feel I'll need to revisit.   The most interesting parts to me are the poppier ones like 70 funk-esque track "Rough Out Here" or single "Crazy Love" with its belting vocal.

There are some hints of Cole's classical training with pianos and strings popping up in places.  

Day 0661 - Rhythm Nation 1814

Janet Jackson "Rhythm Nation 1814" (1989)

JJ had had success with her third album "Control".   Predictably, her record label suggested producing a follow-up that reproduced that album as closely as possible.   Janet, instead opted to craft an album with a sense of social consciousness.   She commented on various issues she'd encountered either herself or in the news, issues such as school shootings, and racial dis/harmony. 

While working on the album, Janet had commented to her producers that it would be great if they could just create their own peaceful nation of music... leading to the album title and title track.

The music mines similar territory to her brother's 1980s output, the funk and RnB mixed with a touch of rock (particularly the track "Black Cat").  There's more of a focus on danceable beats on memorable singles like "Miss You Much" and "Rhythm Nation".   The Jackson family could do no wrong (musically) around this time.