Showing posts with label hearts. Show all posts
Showing posts with label hearts. Show all posts

Tuesday, March 9, 2021

Day 0920 - Since I Left You

The Avalanches "Since I Left You" (2000)


Cut n paste album par excellence.   I first came to this album via the gloriously weird single "Frontier Psychiatry" and I honestly can't remember how got to hear it.   I feel like I downloaded it during the Kazaa or Limewire days, but how would I have known to do that in the first place?   Dark magic indeed.

The group had spent hours amassing thousands of samples from a large collection of vinyl and spent a year or two putting this album together.  Trading tapes to build on each others ideas.

The sound is a mix of modern dance pop with a sort of technicolour kitschy 50s vibe, where sections of dialogue mix with catchy beats, mix with random sound effects, mix with dramatic strings.   It's not dissimilar in approach to DJ Shadow's "Entroducing" but with much more of a pop bent (the title track) and a good dose of quirkiness ("Two hearts in 3/4").  

As I mentioned before "Frontier Psychiatry" is the one that turned me onto them.   It's a gloriously dreamlike whirl of dialogue and musical samples melded into one of the weirder tracks to grace the airwaves.

Tuesday, February 11, 2020

Day 0528 - War

U2 "War" (1983)


U2's last album with Steve Lillywhite before they hooked up Eno and Brian Lanois and became one of the biggest acts of the 80s.

Lilywhite's more stripped-down production sound really worked for where the band were at this point.  Their sound was a sort of post-punky vaguely new-wave but somehow that sound without synthesizers.

Larry's drums sound like he's booting the hell out of his kick.  Adam's melodic but simple bass makes a platform for the Edge to start really finding his guitar tone (with a few less effects than he'd eventually use).  All of that with the raw soul of Bono's voice (before he got too up his own arse) across it.

This album features one of my favourite U2 songs "Sunday Bloody Sunday".  Other highlights include "New Year's Day", "Seconds" (one of only two songs to feature the Edge on lead vocals) and the hymn-like "40", which would go on to be U2's go-to show closer for some time.