Liz Phair "Exile in Guyville" (1993)
Phair started off with a collection of demos under the moniker 'Girly
Sounds'. After asking acquaintances who the 'coolest indie label' in
town was, she approached the co-president of Matador Records. As luck
would have it, he had just been reading a review of her demo and asked
her to send in a tape. The tapes met with a good deal of enthusiasm
and Phair was signed up.
The music is largely stripped down guitar and vocal. It's melodic alt-rock
with a little rawness to it, though this is interrupted somewhat by the
almost perfect pop-rock song "Never Said" and the dreamy piano of "Canary" with Phair's slightly snarling vocals over the top.
She doesn't tread lightly lyrically, with songs such as "Divorce" and
"Fuck and run" or "dance of the seven veils" in which she states "I'm a
real c*nt in spring".
Showing posts with label fuck. Show all posts
Showing posts with label fuck. Show all posts
Wednesday, September 9, 2020
Friday, June 26, 2020
Day 0663 - Straight Outta Compton
N.W.A. "Straight Outta Compton" (1989)
We wrap up the 1980s with another classic rap release. Oddly, this album was funded via a canny marketing move from Priority Records, who licensed and released an album by the fictional group 'The California Raisins' who had hit it big with their cover of 'Heard it on the Grapevine'.

Eazy E assembled the group of DJs and MCs, and put together an undeniable slice of gangster rap. Whereas Public Enemy brought their 'wall of noise' and De La Soul, their pop-leaning sample-based tracks, N.W.A. just lay down sparse rhythms with some scratches and a few well-placed sounds and beats-by-Dre (and Yella) to create the backing for Eazy-E, Ice Cube and Mc Ren to rhyme over.
The tracks are famously aggressive, packed with violence, which the group were accused of glorifying, but as they pointed out, they were just reporting on what life was actually like in their neighbourhood. The opening salvo of "Straight outta Compton" "Fuck Tha Police" and "Gangsta Gangsta" set the scene, but the album holds its own throughout the duration.
The mix of the three MCs works really well and adds variety enough to keep things spicey across the album's runtime.
We wrap up the 1980s with another classic rap release. Oddly, this album was funded via a canny marketing move from Priority Records, who licensed and released an album by the fictional group 'The California Raisins' who had hit it big with their cover of 'Heard it on the Grapevine'.

Eazy E assembled the group of DJs and MCs, and put together an undeniable slice of gangster rap. Whereas Public Enemy brought their 'wall of noise' and De La Soul, their pop-leaning sample-based tracks, N.W.A. just lay down sparse rhythms with some scratches and a few well-placed sounds and beats-by-Dre (and Yella) to create the backing for Eazy-E, Ice Cube and Mc Ren to rhyme over.
The tracks are famously aggressive, packed with violence, which the group were accused of glorifying, but as they pointed out, they were just reporting on what life was actually like in their neighbourhood. The opening salvo of "Straight outta Compton" "Fuck Tha Police" and "Gangsta Gangsta" set the scene, but the album holds its own throughout the duration.
The mix of the three MCs works really well and adds variety enough to keep things spicey across the album's runtime.
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