The Human League "Dare" (19881) - got it
The Human League had lost two of its founding members Maryn Ware and Ian
Craig Marsh who were busy getting Heaven 17 up and running.
Lead singer Philip Oakley recruited two teenage girls as dancers/backing
vocalists and set about making the 80s-est 80s album to ever 80s. The
band's previous, more experimental sound is given the odd nod,
particularly in selected tracks on side B, but mostly this album is
stripped-down, catchy synth-pop finery.
Track "Don't you want me" is one of those big 80s hits that most people know.
Showing posts with label crowd. Show all posts
Showing posts with label crowd. Show all posts
Thursday, January 2, 2020
Monday, October 7, 2019
Day 0402 - All Mod Cons
The Jam "All Mod Cons" (1978)
The Jam had been signed in 1977 and within 12 months they seemed as if they were all dried up. Paul Weller's songwriting inpsiration seemed to have vanished. When the record company heard their new album they told the band to scrap it... That must be a harsh message for guys who were only around 20 at the time, and it worked to revitalise them as went back to the drawing board.
The book mentions Weller's well-sketched characters laid out in his lyrics, but as is often the case for me, I didn't really take much note of the lyrics. The music though is tight, it kind of has a punky Clash-esque vibe but with the bass even more prominent (which I enjoy) and a lot more melody. It's almost as if the Beatles and the Clash had birthed a little pop/rock/punk baby.
There's a kind of stripped-down punk energy to it, but with a couple of tracks (including English Rose) actually being quite lovely and melodic.
The Jam had been signed in 1977 and within 12 months they seemed as if they were all dried up. Paul Weller's songwriting inpsiration seemed to have vanished. When the record company heard their new album they told the band to scrap it... That must be a harsh message for guys who were only around 20 at the time, and it worked to revitalise them as went back to the drawing board.
The book mentions Weller's well-sketched characters laid out in his lyrics, but as is often the case for me, I didn't really take much note of the lyrics. The music though is tight, it kind of has a punky Clash-esque vibe but with the bass even more prominent (which I enjoy) and a lot more melody. It's almost as if the Beatles and the Clash had birthed a little pop/rock/punk baby.
There's a kind of stripped-down punk energy to it, but with a couple of tracks (including English Rose) actually being quite lovely and melodic.
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