Showing posts with label clothes. Show all posts
Showing posts with label clothes. Show all posts

Tuesday, May 11, 2021

Day 0983 - Merriweather Post Pavilion

Animal Collective “Merriweather Post Pavilion” (2009)


Animal Collective are nothing if not prolific.  Along with releasing either an album or EP for every year they’ve been in existence, the individual members have released a slew of solo albums between them.  Whether or not that’s a good thing obviously depends on your opinion of the quality of their output.

My limited experience of their work (from memory, this one, previous release “Strawberry Jam”, “Centipede Hz” and Avey Tare’s’ solo album “Down There”) leads me to believe it’s not a terrible thing.   I’m not a rabid fan by any stretch of the imagination, but I’ve never heard anything that puts me off them either.   What I find with them is something similar to some other bands from that era: that I quite enjoy it on first listen but (a) I don't retain too much memory of the songs after the fact and (b) the initial enthusiasm vanishes on re-listens.

The band had briefly parted company with their guitarist so were writing songs based more around samples and keys.   Some comparisons are made to Flaming Lips, which I could kind of hear in that it's spacey, swirling, layered psychedelic pop.  “My Girls” and “No More Runnin’”  have kind of a Beach Boys vibe to them, both in the vocal harmonies, the production, and even the timbre of the lead vocal.  “Lion in a Coma” reeks of  India-influenced Beatles.  

Again, overall there were a lot of interesting sounds, and I'd be willing to check out their other albums that come 'into my orbit' but they're not a band that are on my mind much (cool album cover though).


 

Tuesday, July 14, 2020

Day 681 - I Do Not Want What I Haven't Got

Sinead O'Connor "I Do Not Want What I Haven't Got" (1990)



A great album beyond just the obvious hit of "Nothing compares 2u" (that Prince fella popping up again).  The album touches on elements of her homeland with some Irish folk elements, and "I am stretched on your grave" a 17th century poem translated from Irish and laid out over a bass and drum loop that, with O'Connor's voice, feels akin to Massive Attack's early sound.  Some fiddles eventually crash in at the end  to see the track off in style.

There are a couple of more pumping, driving songs in "Emperor's new clothes" and "Jump in the River" which stop any chance of the album being 'one note'.  

The track "Black boys on mopeds" is criticised in the book, something to do with it being a bit of an unsubtle protest song.  Thanks to my blind-spot (deaf-spot?) when it comes to lyrics, it just feels like a nice folky singer-songwritery thing that I really enjoyed.   

The album closes with the meditative acapella title-track.  A calm after the storm.