Day 0927 - Time (the Revelator)

Gillian Welch "Time (the Revelator)" (2001) - got it

The film "O Brother Where Art Thou" had revived public interest in rootsy, folky Americana.   Welch and her writing/performing partner David Rawlings had previously worked with the producer of that soundtrack, T-Bone Burnett.  They'd agreed to have Burnett as their producer when he'd let them know he was happy to stick to their approach of minimal instrumentation.

The pair themselves had recently been working with Ryan Adams on his 'Heartbreaker' album and "Time (the Revelator)" was the pair's third album under Welch's name.

The album is a rootsy sort of mountain music.  It feels like a weird mix of music that's 100 years old an brand new at the same time.   The opening track is nice and mellow, then it heads into "My First Lover" which is more of an upbeat banjo-heavy track.   The one that (by its name) sounds like it should be punchier "I want to see that rock n roll" is all vocal harmonies and restraint.

"Ruination Day part II" has an almost dangerous tone to its subdued melody.  Like there's murder under the notes somewhere.   "Dear Someone" is my favourite off the album, a nice trotting pace rendered in acoustic guitar and a vocal harmony that wouldn't have been out of place 90 years ago, or 150 years ago or last week.

Another one of those albums where owning it is one of the many perks of being married to my wife.

Day 0525 - Porcupine

Echo & the Bunnymen "Porcupine" (1983)

E&tB's third album was apparently a bit of a chore coming after the ease of their first two.  They were experiencing a bit of writers block, and once they'd finished the album their record company dismissed it, saying that it was uncommercial.  ...Normally this would be the bit in the story where the band kicked against this assessment and pushed for 'their album'.  Instead, they said "Yeah, okay" and used the original album as a jumping off point to create something else.

Some sitar was laid down here and there (apparently against the wishes of much of the band).  A horn section was added to the song 'The Cutter', again, the band weren't happy but begrudgingly admitted that it improved the song somewhat.

This album is certainly a different beast to the previous two albums.  Aside from the different instrumentation, the Bunnymen's usual slow, Gothic groove was accelerated a bit in places.  Would have been interesting to hear what the original album sounded like, but the released version is enjoyable.