Public Enemy "It Takes a Nation of Millions To Hold Us Back" (1988)
I love so many of these early rap records. Intelligent, socially
conscious lyrics, and a magpie-like approach to assembling their
sounds. The tracks feature everything from James Brown to Slayer. As
well as the music, spoken word and 'found-sound' samples are used.
There's an odd high-pitched noise that runs throughout the different
tracks that would have seemed odd at the time, but came to be used by
a few 90s rap artists. Chuck D proclaimed that if Phil Spector invented the
'wall of sound' production approach, Public Enemy's Hank Shockley
invented the 'Wall of Noise'.
It's a sign of how influential the album has been that other artists
have likewise pilfered sounds and lines from this record, with artists
ranging from Jurassic 5 to Weezer taking bits and pieces from them. The
track "Prophets of Rage" would go on to give the name to the group that
Chuck D would form with ex-members of Rage Against the Machine. That
collaboration also prompted by the influence this group had on that
band.
There's hardcore rap, rock/metal-rap and the brilliant subversion of the
Beastie Boys hit with "Party for your right to fight". The mix of MCs
works too, with Flava Flav adding a touch of levity to the otherwise
intense verbal onslaught.
Showing posts with label chuck. Show all posts
Showing posts with label chuck. Show all posts
Friday, May 29, 2020
Monday, December 30, 2019
Day 0486 - Damaged
Black Flag "Damaged" (1981)
Wow, that is an in-your-face punk album! According to the book, the first few BF recordings had been in a much less intense 70s punk vein. This album (the first with raging new singer Henry Rollins) slit that vein and spewed forth angry hardcore punk rock, almost crossing into metal in places. There's not a lot of melody on show here, but it sorts of feels like too much melody would take away from the intensity of the music.
The band were early proponents of the DIY punk scene. After their record label decided not to release the album, (claiming it was immoral) the band released it themselves. The band then jumped in a van with their gear and a roadmap to tour the album off their own bat.
Wow, that is an in-your-face punk album! According to the book, the first few BF recordings had been in a much less intense 70s punk vein. This album (the first with raging new singer Henry Rollins) slit that vein and spewed forth angry hardcore punk rock, almost crossing into metal in places. There's not a lot of melody on show here, but it sorts of feels like too much melody would take away from the intensity of the music.
The band were early proponents of the DIY punk scene. After their record label decided not to release the album, (claiming it was immoral) the band released it themselves. The band then jumped in a van with their gear and a roadmap to tour the album off their own bat.
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