Day 0798 - Alien Lanes

Guided by Voices "Alien Lanes" (1995)

Packing 28 tracks in barely more than 40 minutes, this is GBV's eighth full-length album, and their first for Matador records.   The band were given a sizeable advance, yet reverted to type and mostly patched the album together from home recordings and bits.

The songs don't really overstay their welcome, with most being either less than a minute, or at most, less than two minutes.   Many of the songs seem to fade out abruptly at the end, like the band had suddenly grown bored of them and pulled the plug.

The sound is a lo-fi noisy, jangly pop-rock with bursts of punkiness.   Kind of like a mix of Velvet Underground and the Violent Femmes (maybe a touch of John Frusciante's early solo work).   

Enjoyable sounds, though I find it hard to really lock into it with everything being so brief in an almost accidental way.

Day 0570 - The Last of the True Believers

Nanci Griffith "The Last of the True Believers" (1986)

I was not familiar with Nanci before this list.  She doles out a style of alt-country and folk that largely still sounds contemporary, due to artists such as Wilco and Beck continuing to tap into the same vein. 

A couple of these songs were covered (with slightly more commercial success) by singer Kathy Mattea, but these original versions are great, as is the whole album.  If you're into interesting country, this is as good a place as any to start.

Day 0411 - D.O.A.: The Third and Final Report of Throbbing Gristle

Throbbing Gristle "D.O.A.: The Third and Final Report of Throbbing Gristle" (1978)

 
So I'd heard the name throbbing gristle, but had always assumed that they were a punk band... I was not prepared for the world of weird, electronic, often loop-based music I encountered.

The band make imaginative use of field recording equipment, early sampling techniques and sonic manipulation. Some of the tracks are just a stream of barely coherent sound, other sections are a mix of drone and electronic sounds and drifting vocals that create a sound somewhere in the middle of a Venn diagram with the velvet underground, Kraftwerk and the Residents. This is certainly nobody's idea of "easy listening"!

The bad went on to become an influence on sonic experimenters such as Depeche Mode and Trent Reznor.